La Maison du Duke is proud to present a collection of unpublished recordings of Duke Ellington, which come from an important stock of Ellington archives (Clavié collection), acquired by the association, which only a few collectors had access to today . The CDs are reserved for members of the Maison du Duke association and are not intended to be marketed.
Louis Armstrong was recorded live so many times during the last two decades of his career that jazz fans tend to take many of these releases for granted. But this second volume from a 1965 Paris concert finds Armstrong expanding his repertoire a bit, including pop songs of the day in addition to expected fare like "Muskrat Ramble." The fluid muted trombone of Tyree Glenn is showcased in a swinging "Volare," vocalist Jewel Brown (Velma Middleton's replacement) offers a spirited rendition of "I Left My Heart in San Francisco" backed by Billy Kyle's bluesy piano, while bassist Buddy Catlett takes his turn in the spotlight during "Cocktails for Two." The recent turnover in personnel not long before this concert tour hardly seems to have hampered Armstrong, who returns for an crowd-pleasing medley of "When the Saint Go Marchin' In" and the inevitable request for "Hello Dolly."
Aretha Louise Franklin was an American singer, songwriter, and pianist.[1] Franklin began her career as a child singing gospel at New Bethel Baptist Church in Detroit, Michigan where her father C. L. Franklin was minister. At age 18, she embarked on a secular career recording for Columbia Records. However, she achieved only modest success. Franklin found commercial success and acclaim after signing with Atlantic Records in 1966. Hit songs such as "Respect", "Chain of Fools", "Think", "(You Make Me Feel Like) A Natural Woman", "I Never Loved a Man (The Way I Love You)", and "I Say a Little Prayer", propelled Franklin past her musical peers. By the end of the 1960s, Aretha Franklin had come to be known as "The Queen of Soul"…
In late 2006, the New Morning presented an incredible meeting of legendary blues players specially flown in from Nashville & Tokyo, to live it up in Paris. As the climax of the club's 25th Anniversary Festival - and a birthday gift from the musicians - this Franco-American guitar summit brought together for the first time the members of Autour du Blues (the cream of France's top studio musicians) and two of America's most brilliant guitar heroes, Larry Carlton and Robben Ford.
Vintage Evans recorded in pristine sound and preserved in all its brilliance by one of the most important figures in Modern Jazz from the late 1950s until his death in 1980 – his work serves as a blueprint for modern interpretation and impressionistic playing ever since. That we’re given evidence of this artistry in a live and unrestricted setting is a dramatic bonus and one that only affirms the importance of Evans in the grand scheme of things.
This performance from 2001 at the New Morning in Paris showcases one of the greatest singers in the soul tradition, Gil Scott-Heron. Inspired by writer Langston Hughes, one of the driving forces behind the Afro-centrism of the sixties, Scott-Heron put his first texts to music. He tried his hand at the keyboard in rock groups and published "The Nigger Factory". His music and lyrics, part poetic, part political, which denounce the repressive violence exerted on African-Americans by society in the US, soon made him the cult hero of the radical rap and hip-hop musicians throughout the world. This DVD is a fine example of the rebellious storyteller's ability.
Three-time Grammy award winner Larry Carlton performs his imitable Jazz fusion sound at Paris' legendary New Morning club, in April 2008. Tracks include the favourites 'Room 335' and 'Walk With Me'.
The collective discography of Sonny Rollins and Don Cherry spans less than a year, but was a fascinating association. This release contains a complete and long unavailable concert by the Sonny Rollins-Don Cherry piano-less quartet - recorded at the Olympia, Paris, in 1963. Among its many highlights, The band work out on a 23-minute version of 'Sonnymoon For Two', a 13-minute version of 'On Green Dolphin Street' and almost 10 minutes of the only existing rendition of "Everything Happens To Me" in both Rollins´ and Cherry´s discographies.
The two LP editions recorded at this Paris concert were the last examples of Bill Evans' playing to be released at the time. With bassist Marc Johnson and drummer Joe La Barbera, Evans had one of the strongest trios of his career, as can be heard on such pieces as Edition One's "My Romance," "I Loves You, Porgy," and "Beautiful Love." The close communication between the players is reminiscent of Evans' 1961 unit with Scott LaFaro and Paul Motian.