This set came about, in part, as a result of Ellington's signing to Frank Sinatra's Reprise label in November 1962, with the ending of his exclusive contract to Columbia. Six numbers from the three Paris dates were initially edited and released by Reprise as part of the ten-song Duke Ellington's Greatest Hits, but the bulk of the performances from those shows didn't surface until many years later as The Great Paris Concert on two LPs. ~ AllMusic
By the time of his Paris concert, Cecil Taylor's quartet had reached a particularly high level of musical communication. Not only did altoist Jimmy Lyons (whose sound but not choice of notes was sometimes close to Charlie Parker's) find a place for himself in the dense ensembles, but one can hear him and the pianist/leader echoing each other's phrases in spots.
Vladimir Horowitz possessed freakishly superb technical equipment, plus inspiration and a mercurial imagination that caused him to never play the same work twice in the same way. There has been no greater writer of pianistic works in the history of the instrument. There was never a better ear for piano color, and his performances usually succeeded in giving a work "the stamp of approval" causing his contemporaries to begin programming works he chose to champion. The was, and is, nobody who can imitate Horowitz, for his genius was truly a never ending source of inspiration.
New Morning: The Paris Concert is a new DVD that takes you up close and personal with the Yellowjackets - keyboardist Russell Ferrante, saxophonist Bob Mintzer, bassist Jimmy Haslip and drummer Marcus Baylor - on stage at the New Morning, one of the most celebrated clubs in Paris. The DVD captures 90 minutes of live music at the New Morning. The disc also features "Soundcheck Sketches," a brief but insightful segment narrated by Haslip, who introduces each band member and provides an overview of the Yellowjackets philosophy as a whole.
It was a thrill for the audience to welcome 6 time Grammy Award, Guitar & Singer great Jose Feliciano, backed by his superb 5 piece band. Throughout this compelling performance, combining effortlessly flamenco, bossa nova, pop and jazz influences with blues and rock lead guitar inflections, Jose delighted his fans with stunning interpretations of all times hits such as Purple Haze, Sunshine of Your Love and Rain…
The short-lived Chick Corea outfit outdoes itself in this 1971 live recording. A delicate piano intro primes us for an extended rendition of Wayne Shorter’s “Nefertitti” to start. Once Braxton throws himself on top of incoming bass and drums, however, what began as contemplative awakening quickly turns into a spastic jaunt into more upbeat territory. The gnarled unity of the quartet paints in bold strokes, all the while flirting with total breakdown. Braxton’s perpetual motion and uncompromising tone make a superb tune out of a great one. “Song For The Newborn” gives Holland a moment in the spotlight. Swaddled in all the innocence of its title and bound by a mature sense of structure, this is an engaging interlude to the Braxton/Corea duet that follows.