This was the follow-up to the legendary Introducing the Eleventh House recording. While it never achieved the classic status of its predecessor, it is an excellent follow-up that captures the band at their creative and technical peak. From the whimsical "Diedra" to the intense "Nyctophobia," Coryell leads his group with an understated refrain. He has always been at his best when acting as an equal within a group's space rather than as the centerpiece. His one indulgence here is the pretty, acoustic guitar solo "Eyes of Love." Of particular interest on this recording is the ferocious drumming of Alponse Mouzon, who displays a style of speed and power that rivals that of Billy Cobham. This is a forgotten gem from the fusion era.
Larry Coryells Last Swing With Ireland contains guitarist Larry Coryell’s final studio outing recorded in Dublin during May 2016. Coryell was in town working at The Sugar Club with his hand-picked local rhythm section of Dave Redmond (bass) and Kevin Brady (drums). Incidentally, Angel Air promise a release of a live performance at the club by the trio sometime later this year.
The two guitar icons Larry Coryell and Philip Catherine have a long history and a close musical affinity, despite their different influences on this and the other side of the Atlantic. Recorded on January 27, 2017 as part of the "Jazz at Berlin Philharmonic" series, "The Last Call" is the last recording of Larry Coryell, who passed away four weeks later on February 19, 2017. And an echo of a very special relationship between two very great guitarists, full of creative compatibility, enthusiasm and deep mutual understanding.
This album features the pioneer fusion guitarist Larry Coryell with quite an all-star group. Two selections match Coryell with fellow guitarist John McLaughlin, bassist Miroslav Vitous (doubling on cello) and drummer Billy Cobham, all important fusion players at the time.
Larry Coryell will always be best known for arguably being the first fusion guitarist, but his career has been quite wide-ranging ever since the late '60s. On Shining Hour , he mostly sticks to jazz standards other than his own "Floyd Gets a Gig" and Brian Torff's "Apathy Rains." Several of the selections are identified with Miles Davis including "Nefertiti" and "The Sorcerer" but there are also hard swinging versions of "All the Things You Are" and "My Shining Hour." Coryell, whose playing works well in this (for him) rare setting although he is not really a boppish improviser, interacts with pianist Kenny Barron (who sometimes takes solo honors), bassist Buster Williams and drummer Marvin "Smitty" Smith.
The idea for reuniting this seminal '70s fusion group first came in 2015, when the lineup for a previously booked one-week engagement at New York's The Blue Note club unexpectedly fell through. Rather than cancel, Coryell suggested bringing most of the 11th House's original members back together—trumpeter Randy Brecker, drummer Alphonse Mouzon and bassist John Lee, who replaced founding bassist Danny Trifan for the group's second album, Level One (Arista, 1975)—along with, Coryell's son, guitarist Julian Coryell, replacing Mike Mandel due to the keyboardist's ill health.
The Eleventh House during 1972-1975 was one of the stronger working groups in fusion, led by one of the unsung heroes of the idiom, guitarist Larry Coryell. This CD reissue brings back the Eleventh House's first recording and, in addition to Coryell's guitar, most heavily featured are trumpeter Randy Brecker (who would later be replaced by Mike Lawrence) and keyboardist Mike Mandel; bassist Danny Trifan and drummer Alphonse Mouzon are strong in backup roles.