This is Alice's nightmare 35 years later and now that nightmare is exposed! Alice Cooper's widely anticipated new album, Welcome 2 My Nightmare picks up where Welcome To My Nightmare left off, with Alice trapped in his own warped mind. There is an array of collaborators on the new album, including original Alice Cooper members Denis Dunaway, Michael Bruce and Neal Smith reunited on 3 tracks. Musically, the album ranges far and wide, from trashing disco to garage punk, pop balladry to a rocking number, very much in the spirit of the Rolling Stones. Glimpses of themes from the original album are intertwined throughout, each track representing a different aspect of Alice's nightmare.
Blue Weekend is the highly anticipated third album from Wolf Alice. Blue Weekend is the follow-up to the band’s 2017 Mercury Prize-winning album Visions of a Life. Personal storytelling is at the core of Blue Weekend, an album that sees Wolf Alice embrace a newfound boldness and vulnerability in equal measure.
UK veterans Pendragon have a number of live albums out, time and again documenting their expertise at performing their material on stage. As all good live bands they don't merely replicate the studio versions so that fans have a reason to attend their concerts as well as purchasing the recordings from them. In this case we're treated to a fair few items that haven't been documented in a live setting previously, and some that haven't been covered live by this version of the band. Good enough reasons to note down this production as a likely buy in itself. A strong live recording that should be of interest to just about anyone with an affection for the neo-progressive part of the symphonic prog universe.
Pendragon's release of "The Masquerade Overture" represents one of the 90's strongest prog releases yet! This brilliant recording sets new heights for neo-prog acts in terms of complete recordings. "The Masquerade Overture" really does capture the essence of concept-like story line and takes the listener into a completely new world. The mix of opera, orchestra and the symphonic tendency of Pendragon seems to work to perfection on this release. There are some nice and tasty guitar / bass parts scattered throughout all of the songs. Nick Barrett adds some great vocals throughout which give it that unmistakeable Pendragon feel.