Late Night Sessions is cool, sophisticated compilation, ideal for chilling out at home with friends or the perfect album to create those cosy and laid-back late night bar vibes. A smooth, relaxing and quirky tracklisting, bringing together credible tracks by well known artists in this genre. Late Night Sessions is a musically strong album and features huge album selling artists such as Hurts, Hot Chip, Simian Mobile Disco, The Cinematic Orchestra and Moby alongside more underground gems like Caribou, Maya Jane Coles, Hercules & Love Affair and…
The long stretches between albums that had become standard for indie pop heroes Belle and Sebastian made their 11th studio LP, Late Developers, even more of a surprise, as it was released without much lead-up just eight months after 2022's A Bit of Previous. Recorded during the same self-produced sessions, Late Developers feels like a companion piece to its predecessor, reaching just as inspired heights and continuing the band's inspection of aging and existential dread that always comes wrapped in soft, reassuring melodies. These songs also flit playfully between styles and delivery, turning in more of the band's Motown-fixated sunshine soul on tracks like the swaying "The Evening Star" or "Give a Little Time," which finds them sneaking in another of their long-term musical fascinations with some very subtle Thin Lizzy-style lead guitar harmonies.
Mellow grooves from the coolest Jazz cats set the perfect mood for your late night lounge. Whether the night time is wind-down time, or a chance for a romantic evening in, this double disc set of chilled-out Jazz sounds are the perfect backdrop with over two hours of late night Jazz music.
Billie Holiday, Cannonball Adderley, Sarah Vaughan, Milt Jackson, Al Cohn And Zoot Sims, Peggy Lee, Lee Morgan, Count Basie and others.
If you don't already have any recordings of Beethoven's late string quartets, by all means get this one by the Alban Berg Quartet. There hasn't been a set to equal it since it was originally released in a different configuration in the early '90s - the Emerson's overly enthusiastic but not especially insightful set? oh, come on! - and there hadn't been many to equal it before the '90s, only the Quartetto Italiano's wonderfully balanced and incredibly lovely set, the Quatuor Végh's supremely intense and transcendentally sublime set, and the Berg's own earlier, extremely concentrated and austerely passionate studio set.
At age 15, Neal Schon landed job offers from both Carlos Santana and Eric Clapton – in the same week! Schon would eventually join Santana where he would meet keyboardist Gregg Rolie. After a short stint with Santana, Schon and Rolie would leave to form the super successful Journey. Despite Journey's ascension to the pinnacle of the rock world, Schon was often criticized for failing to live up to his advanced billing. The adulation of rock luminaries such as Carlos Santana and Eric Clapton left no room for anything but the Second Coming. Million's of fans saw it differently. Journey would eventually become the largest selling act in Columbia Records history; and, a 1983 Gallup Poll named Journey America's favorite band. Even in Journey, though, Schon's contributions were often eclipsed by the unique voice of Steve Perry. It would take him the better part of two decades, and the 1989 release of Late Nite, before he would finally take center stage.
Never Too Late is best remembered today as drummer John Coghlan's final album with the band he'd served since the early '60s. The bulk of the set, however, was actually cut during the same sessions that produced the previous year's Just Supposin', although it's a struggle to say which of the two came out with the better songs. Neither is what one would describe as a classic Quo disc, but nor are they as disposable as some of the band's later releases. Indeed, any record that includes the bright bonhomie of "Something 'Bout You Baby I Like," the new album's biggest hit, is sure to have a few things to recommend it.