Virtuoso duo Sándor Rigó and Christina Leeb-Grill have taken Jean Françaix’s description of his own work, ‘musique pour faire plaisir’, as the motto for this programme. Dance styles and rhythms are at the heart of his repertoire, from the spectacular Brazileira with which Milhaud concludes his theatrical Scaramouche, through Piazzolla’s refinement of tradition in his Tango-Études, to the Brazilian rhythms showcased in Villa-Lobos’s Fantasia. Paquito D’Rivera adapted his Invitación al Danzón especially for this recording, providing Sándor Rigó with space to demonstrate his brilliance in improvisation.
This Futura CD issue of vanguard trumpet legend Ted Curson with the Georges Arvanitas Trio in a Paris studio is one of those very special dates where everything seems to go right. Curson is in excellent form here, whether he is playing free improvisation as on "Latin Quarter," which opens the set and is a fiery 13-minute excursion into the outer reaches of free jazz, or turning in a slightly bent but nonetheless streaming hard bop performance as he odes on the next track, "Flip Top." The Arvanitas Trio, an under-celebrated band that backed virtually every major American musician in Paris proves how well it adapts to Curson's muscular style by responding with more muscle.
This CD exposes the listener to the various aspects of caribbean music and is a learning tool to discover what the various cultural influences from around the world have had on caribbean culture,and guess what?This CD is just the tip of the iceberg as far as caribbean music is concerned,because there are many more styles of caribbean music out there just waiting to be discovered.