Laurie Anderson Big Science

There was a backlash against Laurie Anderson in "serious" musical and artistic circles after the completely unexpected mainstream commercial success of her debut album, Big Science. (The eight-plus-minute single "O Superman" was a chart hit in England, unbelievably enough.) A fair listen to Big Science leaves the impression that jealousy must have been at the root of the reception because Big Science is in no way a commercial sellout. A thoughtful and often hilariously funny collection of songs from Anderson's work in progress, United States I-IV, Big Science works both as a preview of the larger work and on its own merits. Opening with the hypnotic art rock of "From the Air," in which an airline pilot casually mentions that he's a caveman to a cyclical melody played in unison by a three-part reeds section, and the strangely beautiful title track…

1986's Home of the Brave is the soundtrack to a film consisting of live pieces debuted during Laurie Anderson's first world tour, promoting 1984's Mister Heartbreak. Only one song from that album, a radically reworked version of the William S. Burroughs cameo "Sharkey's Night," appears here; the rest of the album is something of a return to the performance art basis of Anderson's earlier work like Big Science and United States I-IV. As a result, Home of the Brave has an oddly reheated quality to it, as if Anderson is merely going through the motions of what had gone before while incorporating snatches of the new, more musical direction she had begun exploring with Mister Heartbreak. (Even the title is a self-conscious echo of United States I-IV.) There are some successes here - "Language Is a Virus" is probably the closest Anderson ever came to a real rock song, and it was a minor dancefloor and college radio hit…

Laurie Anderson - United States Live (1983) {4CD Set Warner Bros. 9251922 rel 1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.26 Gb | MP3 @320 -> 702 Mb
Full Artwork @ 300 dpi (jpg) -> 75 Mb | 5% repair rar
© 1983, 1991 Warner Bros. | 9 25192 2
Experimental Music / Avant-Garde / Alternative

Once her popularity seemed assured, Warner Bros. felt safe releasing this five-record set (since reissued on four CDs) comprising United States' entire four-and-a-half hours. It's not the first place I'd recommend going to hear Anderson's work, but for those so inclined it's well worth the effort. Although live performances of United States included film segments that ran during some of her monologues, United States is about communication and how we interpret and use language. It's a bit pretentious, a tad long-winded, and its size makes it unwieldy to listen to in one sitting, but this is an important work loaded with enough insight, wit, and humanity to make relistening and re-evaluating worthwhile.

Laurie Anderson - Strange Angels (1989) {Warner Bros. 925 900-2}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 300 dpi (jpg) -> 54 Mb | 5% repair rar
© 1989 Warner Bros. | 925 900-2
Rock / Avant-Garde / Experimental / Alternative

Laurie Anderson's third proper studio album, coming over five years after 1984's Mister Heartbreak (1986's Home of the Brave was a film soundtrack), is a near-total departure from anything she had done before or, indeed, anything she did after. The most purely musical of Anderson's albums and the one on which she does the most actual singing (though her trademark deadpan spoken-word passages are still present and accounted for), Strange Angels seems to be Anderson's idea of a straightforward pop album.