Le Baiser 2015

Igor Stravinsky The Complete Columbia Album Collection is an unprecedented reissue of the complete recordings of his works that Igor Stravinsky made for CBS/American Columbia, bringing together for the very first time on CD all of the mono "Stravinsky conducts Stravinsky" recordings issued in the 1940s and 1950s alongside the more familiar stereo remakes from the 1960s, as well as all the authorized performances that Stravinsky's assistant Robert Craft conducted for the label in the composer's presence, after age and infirmity had restricted his own ability to do so.

Itzhak Perlman: The Complete Warner Recordings embraces every aspect of Perlman's art. It contains concertos (the ‘essential' concertos, of course, but also more rarely-heard works, including Perlman's own commissions from living composers); other pieces for violin and orchestra; chamber music; recital and crossover repertoire (including jazz, ragtime and klezmer), and even a disc that focuses on Perlman as narrator and (briefly) opera singer. The recordings document his collaborations with the world's greatest orchestras and an array of superlative fellow-soloists and conductors, including Martha Argerich, Vladimir Ashkenazy, Daniel Barenboim, Plácido Domingo, Carlo Maria Giulini, Bernard Haitink, Lynn Harrell, Yo Yo Ma, Zubin Mehta, Seiji Ozawa, André Previn and Pinchas Zukerman.

Itzhak Perlman, born in 1945, is the supreme violinist of his time. Warner Classics salutes him in his 70th birthday year with Itzhak Perlman: The Complete Warner Recordings, 59 albums on 77 CDs. Presenting his art in all its warmth, generosity and brilliance, this comprehensive edition unites the recordings Perlman made for both EMI and Teldec over a total period of more than 30 years. Available as a magnificent deluxe box set, or as 59 separate releases, Itzhak Perlman: The Complete Warner Recordings embraces every aspect of Perlman s art.

A solitaire in French is a single mounted jewel, a concept that seems less than apt for the rather hefty works recorded here by British pianist Kathryn Stott. But this fine recital holds together in another way: Ravel, who so often provides the temporal endpoint for traditional piano recitals, is here, to a greater or lesser extent, the launching point for the other three composers featured. Stott's reading of the neoclassical Le Tombeau de Couperin is beautifully precise and balanced, catching the economy of this Baroque-style suite to the hilt. That economy carries over into the later works, even the rarely performed Piano Sonata of Henri Dutilleux, a work that deftly fuses Ravel's sense of classical forms with a largely dissonant language. The opening Prelude and Fugue of Jehan Alain, actually two separate works that are reasonably enough combined here, is another seldom-played piece that makes an arresting curtain-raiser, and the final "Le baiser de l'Enfant Jésus" of Messiaen, part of the giant Vingt regards sur l'Enfant Jésus, is the splendid climax of the whole, its spiritual, dreamlike ascent at the end superbly controlled. Better still is the sound, recorded at Hallé St. Peters in Manchester: it creates a hypnotic effect all its own.

Roman sélectionné pour le Prix Amazon 2015 de l'Auto-édition.
« Un Thriller hors norme. Eros et Thanatos s'affrontent avec hargne dans ce roman policier d'une irrésistible sensualité. » NouvelObs.com

2016 marks the 40th anniversary of Jean Martinon’s death. This 14-CD collection focuses on Martinon’s activity with the Orchestre National de l’O.R.T.F between 1968 and 1975 and on repertoire – much of it French – that complements the works by Debussy and Ravel that feature on Martinon’s best-known recordings. The box brings together recordings he made for both EMI and Erato and also includes the first commercial releases of live recordings kept at France’s Institut national de l'audiovisuel (INA) and dating from 1970 (Roussel’s Symphony No 3), 1971 (Bartók’s Miraculous Mandarin) and 1972 (Falla’s complete Three-Cornered Hat).

Collects the original 1974 and 1975 albums from the French orchestra leader, together on one CD! Includes covers of The Carpenters' "Yesterday Once More" and Mikis Theodorakis' "Theme From 'Serpico". French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

Collects the original 1974 and 1975 albums from the French orchestra leader, together on one CD! Includes covers of The Carpenters' "Yesterday Once More" and Mikis Theodorakis' "Theme From 'Serpico". French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."