Ella Swings Lightly is a 1958 studio album by the American jazz singer Ella Fitzgerald, recorded with the Marty Paich Dek-tette. Ella also worked with Marty Paich on her 1967 album Whisper Not. The album features a typical selection of jazz standards from this era, songs from musicals like Frank Loesser's If I Were a Bell, and a famous jazz instrumental vocalised by Ella, Roy Eldridge's Little Jazz. This album won Ella the 1960 Grammy award for the Best Improvised Jazz Solo…
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the most obscure records from trumpeter Blue Mitchell – a great session recorded in the 60s, during Blue's classic stretch with Blue Note – but not issued until 1980, and even then, only briefly! The record's a great example of Mitchell's strong capacity to play well in a larger group – this time a sextet, featuring Joe Henderson's tenor and Leo Wright's alto – playing imaginative lyrical lines next to Blue's sweet trumpet, and dancing around with a sound that's as lyrical as it is soulful! Other players include Herbie Hancock on piano, Gene Taylor on bass, and Roy Brooks on drums – and titles include "Mamacita", "Andrea", "Step Lightly", "Sweet & Lovely", and "Bluesville".
In 1988, Peggy Lee was persuaded to leave her casual retirement by the promise of recording some recently unearthed Harold Arlen songs. Her voice was far less attractive and vivacious than it had been even in the '70s, and health problems forced her to record everything from a wheelchair; what's more, when she heard the results, she refused to let the record be released for another three years. Nevertheless, Love Held Lightly is an important album, not just because it saves a few Arlen compositions from the brink of disaster, but also because Lee's unpretty voice serves this material well…
CD reissue featuring Ella Fitzgerald's flowing vocals and Marty Paich's Dek-tette band backing her. This was among several hit albums that Fitzgerald enjoyed in the '50s, when she was reaching the mass audience cutting pre-rock standards.