Lee (2024)

Follows fresh interviews, archival footage, and various animation techniques like marionation to recreate one of the world's leading actors on screen, bringing them back to life through innovative methods.

Stewart Lee returns to the Lowry for his comedy show, Basic Lee. In this stand-up special, Lee attempts to define by example what comedy is, rewarding his audience with a barrel of laughs.

Stewart Lee returns to the Lowry for his comedy show, Basic Lee. In this stand-up special, Lee attempts to define by example what comedy is, rewarding his audience with a barrel of laughs.

CNBC’s newest documentary, featuring Melissa Lee, “Big Shot: The Ozempic Revolution,” provides an in-depth look at how a diabetes drug reinvented weight loss culture and the way we treat obesity in America. In this one-hour program, CNBC takes a deep dive into the global anti-obesity drug market, exploring the risks people are taking to get their hands on these drugs…

An inside look into Thames Valley Police's largest murder investigation in years as they try to find the murderer of a 21-year-old Kyron Lee who was knocked off his bike, chased and stabbed to death, with the only evidence being a body, CCTV of five masked suspects and a stolen vehicle.

An inside look into Thames Valley Police's largest murder investigation in years as they try to find the murderer of a 21-year-old Kyron Lee who was knocked off his bike, chased and stabbed to death, with the only evidence being a body, CCTV of five masked suspects and a stolen vehicle.

The history of screen comedy did not begin with Charlie Chaplin or Buster Keaton. Prior to their appearances on the American screen, an entire generation of comedians was already establishing (and breaking) the boundaries of this rapidly evolving genre. While working at the Vitagraph Studios, music hall artists such as John Bunny, Frank Roberts, and Mr. and Mrs. Sidney Drew retooled their brands of comedy into something uniquely cinematic, advancing the art form and setting the stage for the slapstick explosion. This three-disc collection, presented by the Library of Congress, showcases the bold innovation of these overlooked pioneers, including the ingenious trick film The Disintegrated Convict, the gender-bending irrereverence of Edith Storey, and the epic scale of Larry Semon’s The Sawmill. Vitagraph Comedies also provides precious glimpses of comedians (e.g. Flora Finch or the comedy duo Montgomery and Rock) who are virtually forgotten today, because so little of their work has survived.

The history of screen comedy did not begin with Charlie Chaplin or Buster Keaton. Prior to their appearances on the American screen, an entire generation of comedians was already establishing (and breaking) the boundaries of this rapidly evolving genre. While working at the Vitagraph Studios, music hall artists such as John Bunny, Frank Roberts, and Mr. and Mrs. Sidney Drew retooled their brands of comedy into something uniquely cinematic, advancing the art form and setting the stage for the slapstick explosion. This three-disc collection, presented by the Library of Congress, showcases the bold innovation of these overlooked pioneers, including the ingenious trick film The Disintegrated Convict, the gender-bending irrereverence of Edith Storey, and the epic scale of Larry Semon’s The Sawmill. Vitagraph Comedies also provides precious glimpses of comedians (e.g. Flora Finch or the comedy duo Montgomery and Rock) who are virtually forgotten today, because so little of their work has survived.

The history of screen comedy did not begin with Charlie Chaplin or Buster Keaton. Prior to their appearances on the American screen, an entire generation of comedians was already establishing (and breaking) the boundaries of this rapidly evolving genre. While working at the Vitagraph Studios, music hall artists such as John Bunny, Frank Roberts, and Mr. and Mrs. Sidney Drew retooled their brands of comedy into something uniquely cinematic, advancing the art form and setting the stage for the slapstick explosion. This three-disc collection, presented by the Library of Congress, showcases the bold innovation of these overlooked pioneers, including the ingenious trick film The Disintegrated Convict, the gender-bending irrereverence of Edith Storey, and the epic scale of Larry Semon’s The Sawmill. Vitagraph Comedies also provides precious glimpses of comedians (e.g. Flora Finch or the comedy duo Montgomery and Rock) who are virtually forgotten today, because so little of their work has survived.