The recorded legacy of Elvis Presley continues to be discovered by new generations that never saw him or heard him perform live. It's hard to appreciate that he started so much of what we take for granted now in popular music. Until 1956, the teenagers of suburban America, and the rest of the world, had to endure ditties by Rosemary Clooney and Perry Como but everything was about to be tossed upside down. On January 28 on a cold night in New York, Elvis took America by storm as he appeared on CBS-TV's Stage Show hosted by Jimmy and Tommy Dorsey. On February 4 for his second appearance he sang a song that literally changed the world of popular music "Heartbreak Hotel". Its unique sound and style literally blew everything before it away while at the same time inducing the blueprint for everything that was to come; by April, it would be #1 on Billboard.
Just in time for the 80th anniversary of Eugen Cicero, IN+OUT Records raises a treasure from its archive and releases a concert gem, that was counted for lost. On October 5, 1992, the pioneer of crossover played along with Paul Kuhn, his big band fellow from Berlin, at the Bernhard Theatre located in the basement of the Zurich opera in front of around 300 people. This is also the first posthumous release of Paul Kuhn on IN+OUT Records, the label, which signed responsible for last 25 years of Kuhn’s creative work.
Texas Rhody Blues, featuring Jimmie Vaughan and Duke Robillard, is the third Knickerbocker All-Stars CD release. The project was supported by the Knickerbocker Music Center, a non-profit organization formed in partnership with the Rhode Island Philharmonic Orchestra & Music School. The Knickerbocker Music Center will have an exciting performance venue and an exceptional center for music education. This CD has its roots in The Newport Folk and Jazz Festivals of the late 1950s and early ‘60s which turned many white soul searchers on to blues, rhythm and blues, and jump blues. In 1963, Blues at Newport was recorded live at the Newport Folk Festival, which featured many of the greatest folk and delta blues musicians.
When Lonnie Liston Smith left the Miles Davis band in 1974 for a solo career, he was, like so many of his fellow alumni, embarking on a musical odyssey. For a committed fusioneer, he had no idea at the time that he was about to enter an abyss that it would take him the better part of two decades to return from. Looking back upon his catalog from the period, this is the only record that stands out – not only from his own work, but also from every sense of the word: It is fully a jazz album, and a completely funky soul-jazz disc as well. Of the seven compositions here, six are by Smith, and the lone cover is of the Horace Silver classic, "Peace." The lineup includes bassist Cecil McBee, soprano saxophonist David Hubbard, tenor saxophonist Donald Smith (who doubles on flute), drummer Art Gore, and percussionists Lawrence Killian, Michael Carvin, and Leopoldo. Smith plays both piano and electric keyboards and keeps his compositions on the jazzy side – breezy, open, and full of groove playing that occasionally falls over to the funk side of the fence.