Leon Gieco

Desenchufado is the tenth studio album by Argentine singer-songwriter León Gieco. It was released in 1994 by the EMI label and produced by Daniel Goldberg. The album is an irony to the world trend imposed by the North American MTV of the Unplugged. In this case, it was a formidable remake of León's classics, including "El fantasma de Canterville", composed by Charly García for the singer-songwriter, and a new song called "Como un tren" (lyrics by Gieco , while the music is by Gurevich). The presentation of this album in the Capital was only at the end of 1995, with Nito Mestre, Rodolfo García, Oscar Moro and the former Oveja Negra as guests.

“Banda de Caballos Cansados” it was released in 1974 by Music Hall label.

This album titled “4to LP” by León Gieco.
But, Who is this singer? First, is Argentine and his is the country-rock style. Somewhere I read that is the “Bob Dylan of South America”.

“Pensar en nada” is the fifth studio album by the Argentine singer-songwriter León Gieco.

This LP “7 Años” by León Gieco, is a review of seven-year career. Any doubt? The interesting thing is that it is not a compilation of different LPs as one might think and was for that reason that I bought this album.

“El Fantasma De Canterville” is the third album of study of the Argentine singer-songwriter León Gieco. It was released in 1976 by the label Music Hall.

On June 16th, 1972 a folk-rock all acoustic event called Acusticazo took place at the Teatro Atlantic. Gabriela, Litto Nebbia, Miguel y Eugenio, Leon Gieco and a young singer Raúl Porchetto played on that event. Raúl's performance of "Cortar el viento" was included on the album. For his first LP, a conceptual opus called Cristo Rock (Christ Rock), he was joined by Charly García (keyboards) and Oscar Moro (drums), along with the usual La Pesada staff: Billy Bond (mixing console and effects), Claudio Gabis, Kubero Diaz (guitars), Alejandro Medina (bass), Jorge Pinchevsky (violin) and Jimmy Marquez (drums). A string orchestra and a church organ were also used for the recording. Cristo Rock has an "Obertura" and eight numbered tracks. It is a strange but attractive album, full of climatic sounds and interesting playing; more noteworthy Gabis' wah-wah guitar.