This 16-disc set contains what is without a doubt the most distinguished collection of Mahler performances ever to have been assembled in one place. DG has sensibly collected all of Bernstein's Mahler for Polygram labels, including the London "Das Lied von der Erde," and all of the orchestral song cycles: "Song of a Wayfarer," "Kindertotenlieder," "Rückert-Lieder," and "Des Knaben Wunderhorn." All of these recordings have been issued separately to general critical acclaim, and despite a veritable warehouse of new Mahler discs in the '90s, Bernstein's versions by and large still reign supreme.
As composer, conductor, and educator, Leonard Bernstein (1918-1990) emerged as one of a handful of figures in the twentieth century who truly changed the face of music. As a composer, Bernstein left a far-reaching legacy that includes three symphonies, a film score of singular distinction, (On the Waterfront), and an important body of stage works, including one of the cornerstones of American musical theater, West Side Story (1957). The first American-born conductor to attain international superstardom, Bernstein made a profound impression on audiences; his podium manner was dynamic, even flamboyant, to an extent never before witnessed.
Tout commence un soir de janvier 1937, à Boston où le chef Dimitri Mitropoulos achève son deuxième séjour par la Symphonie en ut de Schumann. Invité à suivre répétitions et concert, l’étudiant Bernstein sent, au cours de l’Adagio espressivo, son « coeur éclater dans un mélange terrible de fierté et d’abattement ». Conçue au fond du gouffre, achevée au retour de la lumière en 1846, cette Symphonie no 2 le poursuivra longtemps. Bernstein chef d’orchestre est né par elle, commençons de même [CD I, 1-4]. L’influence de Mitropoulos ne s’arrête pas là. Une saison plus tôt, le chef grec avait soufflé Boston en dirigeant du piano le Concerto no 3 de Prokofiev, numéro de voltige que son admirateur reproduira en substituant Ravel à Prokofiev.
How much do you like Leonard Bernstein? Carnegie Hall is betting you like him a lot as it has collaborated with Sony to prepare this 10-CD set, The Original Jacket Collection: Bernstein Conducts Bernstein. It contains every album Bernstein made of his own music for CBS Records, beginning with his 1950 recording of the Symphony No. 2, "The Age of Anxiety" – predating his tenure with the New York Philharmonic by nearly a decade – to the ballet Dybbuk in 1974, recorded with the New York City Ballet Orchestra several years after his departure.
An historical album if there is one, with its iconic cover photo. Conducting from the piano in Rhapsody in Blue, Leonard Bernstein manages to capture the lean vigor and impertinence that emanates from the work. He whips up a beefy orchestral contour while subtly jazzy, intensely inspired and romantic in feeling. The dynamic Suite An American in Paris is full of that energy that Bernstein used to know how to distil like no other did. Listen to the orchestra rip into the Charleston. These recordings, from 1958-59, are fabulous, and well worthy of their reference status. The famous West Side Story Symphonic Dances, and the Symphonic Suite "On the Waterfront" complete this album of American music bursting with infectious enthusiasm.