Leonard Cohen Collection

Legendary singer-songwriter Leonard Cohen died on November 7, 2016, one day before the 2016 Presidential Election, but the world didn’t find out for several days after. On January 24, 2017 (shortly after the inauguration of Donald Trump and the succeeding Women’s March), New York City finally paid tribute to the Poet Prince of Montréal with a concert featuring dozens of singers, songwriters and musicians, including Richard Thompson, Josh Ritter, Will Sheff (Okkervil River), Amy Helm, Lee Ranaldo (Sonic Youth), Lenny Kaye (Patti Smith Group), Elvis Perkins, Holly Miranda, Joan As Police Woman, Delicate Steve, and many more. It was an evening the Village Voice called “a loving, thoughtful tribute to Cohen’s life in music and poetry.” The live album features highlight performances from this nearly three-hour marathon concert, which the Voice also hailed as a “carefully constructed, expertly structured production.”

In May 2006, Leonard Cohen published his first collection of poetry in 22 years, Book of Longing, having previously used some of the material as songs on his most recent albums, Ten New Songs (2001) and Dear Heather (2004). The book touched on many of the themes he had explored throughout his writing career, including spirituality (he had spent part of his time between books as a postulant at a Buddhist monastery), eroticism, and self-deprecating humor. On June 1, 2007, at the Luminato Festival in Toronto, Ontario, composer Philip Glass premiered his song cycle based on Book of Longing, which is here given a two-CD recording. Cohen is present on the album speaking (not singing) some of his poems, and Glass also has set some of them to music, with singing by a soprano (Dominique Plaisant), a mezzo-soprano (Tara Hugo), a tenor (Will Erat), and a bass-baritone (Daniel Keeling).

Given that Leonard Cohen's recent international concert tour was prompted by the fact his former manager purportedly made off with his life's savings, only a curmudgeon would blame the man for trying to make the enterprise as profitable as possible. Roughly 14 months after releasing Live in London, which preserved Cohen's July 2008 performance at London's 02 Arena, the venerable singer and songwriter is presenting to his fans Songs from the Road, featuring 12 tunes (on both CD and DVD) from his 2008 and 2009 concert dates.

In 1972, dour folk philosopher Leonard Cohen went out on a European tour that began in Dublin and ended in Jerusalem. He had a band that included Jennifer Warnes, Ron Cornelius, and Bob Johnston, and Tony Palmer and his film crew followed them from one venue to the next. The footage was compiled into the 1972 film Bird on the Wire. Reminiscent of D.A. Pennebaker's similar portrait of Bob Dylan, Don't Look Back, the movie showed the ups and downs of touring, giving as much room to the backstage as it did the concert hall. A weary Cohen fends off pretty women, needy journalists, and angry Germans upset by technical difficulties

Given that Leonard Cohen's international concert tours of the late 2000s were prompted by the fact his former manager made off with his life's savings, only a curmudgeon would blame the man for trying to make the enterprise as profitable as possible. Roughly 14 months after releasing Live in London, which preserved Cohen's July 2008 performance at London's 02 Arena, the venerable singer and songwriter presented Songs from the Road, featuring 12 tunes from his 2008 and 2009 concert dates. While Live in London captured the feel and flow of a single concert and featured most of Cohen's best-known songs, this set includes bits and pieces from 11 different shows…

Leonard Cohen's deeply personal first LPs came out at a time when many of his peers were issuing furious, counterculture-inspired rants; he clearly had little interest in sticking with the pack at the time. So it makes a certain kind of contrary sense that Cohen would put out an offbeat, topical collection two-and-a-half decades later. The Future is an odd duck of an album; it's also brave, funny, and fascinating. "Give me back the Berlin Wall/ Give me Stalin and St. Paul", Cohen petitions sardonically in the title track, adding, "I've seen the future, brother: it is murder". "Can't run no more with the lawless crowd/ While the killers in high places say their prayers out loud", he intones in "Anthem"; in "Democracy", he name- checks Tiananmen Square while surveying the United States ("The cradle of the best and of the worst"). Cohen has only improved with age as a vocalist; here, he sounds like a cross between Mark Knopfler and Barry White.