I've seen Les Doigts de l'homme for the first time at the Django Festival 2008 at Liberchies(hometown of Django Reinhardt in Belgium)and I was completely blown away from their fresh and original gipsy jazz. Lead guitar player, Olivier Kikteff, demonstrates an extraordinary virtuosity, rarely seen, but the songs are very original and beautiful as well. The mix of Selmer guitars, banjo's, ouds and cajon and the different tempi are the trademark of Les Doigts de l'homme. I can highly recommend this most recent CD from Les Doigts de l'homme to everyone who loves the guitar, loves manousch jazz, cross-over music,etc… Buy this, you won't regret it!!!
Voici Les Doigts de l’homme, un album pour ceux qui aiment le jazz, et surtout le swing du jazz manouche, Les Doigts de l’homme est un trio d’origine bretonne et vivant entre la Drôme et l’Ardèche.
Les deux guitaristes et le contrebassiste proposent un voyage dans le monde, d’où les différentes influences orientales, avec un zeste de rythmes latinos (les doigts dans la bossa) ou encore de musique classique (La valse des rois). Les compositions et arrangements sont signés du guitariste Olivier Kikteff. Le morceau Rythme du futur est assez drôle, on y entend quelques accords du générique des Simpsons.
Les textes sont assez rares, sauf sur 140 C, Faites du bien, ou encore Être ou Avoir, c’est dommage car ils sont plutôt décapants et surprenant. Et je trouve que la voix un peu retenue colle parfaitement avec le swing accrocheur des doigts de l’homme.
Ce groupe utilise à merveille leurs doigts, pour nous en mettre plein les oreilles.
…Originally released in 1968, the now impossible to find self titled album by Les Fleurs De Pavot is considered as the first psychedelic/hippie record from France. A veil of mystery surrounded the real origins of the band at the time… according to their press release, they were formed by a couple of hippies, Groovy Pat from London and Jesus from San Francisco who met at some Soft Machine shows in Paris… the reality was more unglamorous: Les Fleurs De Pavot were in fact a twist band called Bourgeois De Calais, transformed into exploitation acid-eater hippies by their manager JP Rawson…
Art Zoyd´s first studio album is one of those "lost" gems that is too rare to attrack a wide (even in progressive rock) range of listeners but way too good to be left aside…
Feeling that Harmonium had released in L'Heptade (1976) the best album it could possibly make, its leader, Serge Fiori, disbanded the group in early 1978. At the same time, Richard Séguin also saw his folk group, les Séguins, fold after the release of its peak album, Récolte de Rêves. Fiori had a few songs that the Harmonium musicians had already begun to work on; Séguin also had a few left in his files. The two teamed up, writing three more pieces together and recording them with the last Harmonium lineup. The resulting album is indeed weaker than L'Heptade, but it is not the casual one-time collaboration one could expect. Conceived as a group effort (all the players were involved in the arrangements), it has a strong personality, the identities of both singer/songwriters melding gracefully…
Guitarist Barthelemy has spent much of his career working with orchestras, both jazz and classical, and on this album he teams up again with the 13-piece Orchestre National De Jazz. Stylistically various, the programme here ranges from wild free-form to tightly arranged passages, sometimes in pastiche mood. This is exciting, exploratory Euro-jazz.