Les Les Terribles

The new recording captures the pianists’ special artistic relationship with Philip Glass – a follow-up to the Double Piano Concerto the composer dedicated to the sisters in 2015 Presenting the opera Les Enfants terribles arranged for piano duet, dedicated to Katia & Marielle Labèque, and Etudes No. 17 & 20.

This low-budget Philip Glass opera, Les enfants Terribles, is based on a novel and play by Jean Cocteau, forming the third ring in Glass' trilogy of works devoted to the elaborate personal mythology of the great French visionary. Foregoing the controversial and dualistic 1949 film of Les enfants Terribles made by Jean-Pierre Melville, Glass decided to realize the visual element through a collaboration with choreographer Susan Marshall, re-creating Cocteau's story as a "dance opera." Les enfants Terribles is the most compelling Glass score beheld in many years.

Les Enfants Terribles, Jean Cocteau's novel (written in 1929 and was later made into both a play and a film) forms the basis of the third installment of the trilogy of music/theater works began with Orphée and continued with La Belle et la Bête. In the previous two works (Orphée and La Belle et la Bête), film and opera were combined to create a hybrid form. For Les Enfants Terribles I envisioned something different. I invited the American choreographer Susan Marshall, to help adapt and direct a dance/opera based on the novel in which singers and dancers would share center stage.

The new recording captures the pianists’ special artistic relationship with Philip Glass – a follow-up to the Double Piano Concerto the composer dedicated to the sisters in 2015. They are known for the fusion and energy of their duet, pursuing a stunning career all around the world, supporting both the classical repertoire and the contemporary creation. Philip Glass’s music occupies a special place in Katia & Marielle Labèque’s creation since they are already dedicatees of his Double Concerto for two pianos. It’s the composer himself who chose to adapt his opera Les Enfants Terribles after Jean Cocteau’s novel for them, in a suite for piano duet.

Jean-Philippe Rameau (1683-1764) left two very different versions of his tragédie en musique Zoroastre: the first, in 1749, suffered from cabals and the work was withdrawn from the repertory. Rameau gave it a thoroughgoing revision in 1756. At this time, he was at the height of his powers. Melody, harmony, orchestration and choral writing no longer held any secrets for him. Zoroastre brought still further innovation. For the first time, he dispensed with a prologue, and turned the overture into a philosophical ‘programme’, the struggle between day and night, between good and evil. The 1749 version is entirely governed by avant-garde ideas; Zoroastre resembles Tamino in Die Zauberflöte, but two generations earlier. This disconcerted some of the audience: Zoroastre was a moral, social and philosophical opera.

While Freemasonry's secrecy has always aroused distrust, its enlightened principles and belief in virtue, liberty, fraternity, and equality have attracted large numbers of intellectuals and artists; one of its most famous adherents was Mozart. However, his opera The Magic Flute was not the first to be inspired by its teachings but was preceded in 1749 by Rameau's Zoroastre. Its initial reception was so cool that Rameau and his librettist, Louis de Cahusac (a prominent Mason) undertook extensive revisions. The new version was produced–by coincidence or fate?–in 1756, the year of Mozart's birth, and became a great success.

Katia et Marielle Labèque, the famous pianist sister duo with a career spanning more than fifty years, release their new album dedicated to the music of Philip Glass, completing his operatic triptych composed between 1993 and 1996, based on the films by Jean Cocteau. After their much-acclaimed recording of Les Enfants Terribles in 2020, the pianists now present the remaining two works in the Cocteau Trilogy: Orphée and La Belle et la Bête, arranged by Glass’ music director Michael Riesman for Katia and Marielle Labèque. Katia and Marielle Labèque will be touring extensively throughout 2024 and performing the program in several markets, including France, Germany, UK and Ireland.

Katia et Marielle Labèque, the famous pianist sister duo with a career spanning more than fifty years, release their new album dedicated to the music of Philip Glass, completing his operatic triptych composed between 1993 and 1996, based on the films by Jean Cocteau. After their much-acclaimed recording of Les Enfants Terribles in 2020, the pianists now present the remaining two works in the Cocteau Trilogy: Orphée and La Belle et la Bête, arranged by Glass’ music director Michael Riesman for Katia and Marielle Labèque. Katia and Marielle Labèque will be touring extensively throughout 2024 and performing the program in several markets, including France, Germany, UK and Ireland.