Les Arts Florissants

Pygmalion is, perhaps, Rameau's most consistently alluring ac/c de ballet whose overture, at least, was greatly admired in the composer's lifetime. There have been three earlier commercial recordings of which only the most recent, on Deutsche Harmonia Mundi, is currently available. Pygmalion was Rameau's second ac/c de ballet and it contains affecting and vigorous music in the composer's richest vein. The action takes place in Pygmalion's studio. Captivated by the appearance of the statue he has just completed, Pygmalion, legendary King of Cyprus, falls in love with it.

The ensemble Les Arts Florissants, founded and for many years headed by American-French conductor William Christie, specializes in the music of the French Baroque. That might seem a poor fit with a greatest-hits collection like this one: surely anyone interested in the French Baroque will already have heard many of the selections included on this three-disc set, celebrating the group's 40th anniversary in 2019. Actually, though, the influence of Les Arts Florissants has been so fundamental that a survey of this kind is entirely appropriate. When Christie founded the ensemble in 1979, French Baroque music was a rare find on recordings. Les Arts Florissants has changed that completely, and Christie expanded the operation with an educational aspect that will keep the momentum going. The group contributed to the growing popularity of 17th century music outside of France, and the gorgeous Monteverdi recordings here (sample Il combattimento di Tancredi e Clorinda) are the equal of any. The three discs in the package are divided into the categories of Music and Theater, Sacred Music, and Secular Music, the last covering chamber-sized groups.

A brand-new label from one of the world's finest early music ensembles makes an auspicious debut with this stunning new recording of Handel's oratorio Belshazzar. Les Arts Florissants, led by the great William Christie, have launched their new label with the goal of expanding the ensemble's connection to the listening public on a scale far beyond the concert hall. Belshazzar was first performed in 1745, and was frequently revised. Christie has chosen what he considers to be the most successful of the various versions of Belshazzar, resulting in the restoration of the piece in all its splendor. The libretto's subject, which focuses on the decline of a once glorious society and the ephemeral nature of Empire, is especially relevant today. This deluxe set also includes a bonus essay by Jean Echenoz entitled In Babylon, printed separately on special paper and included alongside the regular booklet. This specially commissioned work draws the reader deep into the ancient, majestic city, the seat of power of Belshazzar the King.