Let The Sunshine In

The Ventures - History Box, Vol. 4 (1992) {4CD Set, Liberty ‎Japan TOCP-7137~40 rec 1967-1969}
EAC rip (secure mode) | FLAC (tracks) -> 1.58 Gb | MP3 @320 -> 613 Mb
Full Artwork @ 300 dpi (jpg) -> 51 Mb | 5% repair rar
© 1967-69, 1992 Liberty ‎/ Toshiba-EMI Japan | TOCP-7137~40
Rock / Pop / Rock & Roll / Surf Rock

Box set containing 4 jewel case CDs (TOCP-7137, TOCP-7138, TOCP-7139, TOCP-7140) and two booklets. The Ventures are an American instrumental rock band, formed in 1958 in Tacoma, Washington, by Don Wilson and Bob Bogle. The band, a quartet for most of its existence, helped to popularize the electric guitar in the United States and across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially revered in Japan, where they tour regularly to this day. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, switched to bass), Nokie Edwards (initially bass, switched to lead guitar), and Mel Taylor (drums).

The Ventures - Live Box, Vol. 2 (1992) {4CD Set, Liberty ‎Japan TOCP-7149~52 rec 1971-1973}
EAC rip (secure mode) | FLAC (tracks) -> 1.55 Gb | MP3 @320 -> 560 Mb
Full Artwork @ 300 dpi (jpg) -> 84 Mb | 5% repair rar
© 1971-73, 1992 Liberty ‎/ Toshiba-EMI Japan | TOCP-7149~52
Rock / Pop / Rock & Roll / Surf Rock

Box set containing 4 jewel case CDs (TOCP-7149, TOCP-7150, TOCP-7151, TOCP-7152) and two booklets. The Ventures are an American instrumental rock band, formed in 1958 in Tacoma, Washington, by Don Wilson and Bob Bogle. The band, a quartet for most of its existence, helped to popularize the electric guitar in the United States and across the world during the 1960s. While their popularity in the United States waned in the 1970s, the group remains especially revered in Japan, where they tour regularly to this day. The classic lineup of the band consisted of Wilson (rhythm guitar), Bogle (initially lead guitar, switched to bass), Nokie Edwards (initially bass, switched to lead guitar), and Mel Taylor (drums).

Despite some future weak LP’s or mainstream/cashing machine approximations, there’s no way to ignore the fact that Brian Auger is a master groover and one of the first to have successfully plunged in Fusion (taken in its wider meaning) waters; on the other hand Julie Driscoll appears as having always functioned as a creative/inspirational muse for our man, in that all their collaborations bore tasteful fruits; that said this album is in my opinion here to prove it!

First-ever complete collection of all the recordings made by 60’s Hammond driven R&B Pop stars The Spencer Davis Group during the period 1967-1969.
Disc One features their 1967 singles recorded with Winwood replacements Phil Sawyer and Eddie Hardin, including the pop sike classics ‘Time Seller’ and ‘Mr Second Class’. Also their recordings used in the film soundtrack “Here We Go Round The Mulberry Bush”. The second half of Disc One comprises their 1968 single and album recorded with Sawyer’s replacement Ray Fenwick, who brought with him the excellent ‘After Tea’ (co-written with Dutch Tee Set pop master Hans Van Eijck). Album With Their New Face On is a mix of jazzy R&B and pop psychedelia. The standout R&B track is ‘Don’t Want You No More’, which was later covered by The Allman Brothers…

First-ever complete collection of all the recordings made by 60’s Hammond driven R&B Pop stars The Spencer Davis Group during the period 1967-1969.
Disc One features their 1967 singles recorded with Winwood replacements Phil Sawyer and Eddie Hardin, including the pop sike classics ‘Time Seller’ and ‘Mr Second Class’. Also their recordings used in the film soundtrack “Here We Go Round The Mulberry Bush”. The second half of Disc One comprises their 1968 single and album recorded with Sawyer’s replacement Ray Fenwick, who brought with him the excellent ‘After Tea’ (co-written with Dutch Tee Set pop master Hans Van Eijck). Album With Their New Face On is a mix of jazzy R&B and pop psychedelia. The standout R&B track is ‘Don’t Want You No More’, which was later covered by The Allman Brothers…

Hey now this is a great cd and sort of holds time to its original release of 1968. This is the first album post-Winwood era and they did a fantastic job for just coming off a devastating blow of a major change in musical direction…