More from Joe Louis Walker's searing Slim's engagement, Live at Slim's, Vol. 2 includes Joe Louis ripping through Ray Charles' "Don't You Know," and Little Milton's "Love at First Sight," and Rosco Gordon's overworked "Just a Little Bit," along with his own gems. Huey Lewis turns up again as the harpist on Walker's version of Haskell Sadler's "747."
Four CD box set from the Killer himself featuring 128 true Rock 'N Roll, Country, Blues and rockin' Gospel classics from his days with Sun Records. Features 'Whole Lotta Shakin' Goin' On', 'Great Balls of Fire', 'High School Confidential', 'Breathless', 'Crazy Arms' and many many more.
JSP's New Orleans Guitar compiles four CDs of performances by Smiley Lewis, Guitar Slim, and T-Bone Walker. It's hard to go wrong with these 102 recordings cut between 1947 and 1955. The tracks have been remastered, making the majority of this material sound great. Unlike other packages of this type, the liner notes are informative, listing personnel, dates, and a concise history without going on ad nauseam. As an extra bonus this is a budget-priced set, making it highly recommended, especially for the blues novice.
Walker was hot enough over the course of a two-day stand at Slim's in San Francisco to warrant the issue of two full albums from the dates. The first is a sizzling combination of past triumphs, new items, and covers of Clifton Chenier's "Hot Tamale Baby," Junior Wells' "Little By Little" (with Huey Lewis, no less, on harp), and a saucy duet with Angela Strehli on the old Fontella Bass/Bobby McClure rocker "Don't Mess Up a Good Thing."
This tribute to bop icon Charlie Parker is not a program of his famous tunes but a representation of his spirit that still exists. Through means of improvised music with a variety of significant signposts, George Lewis offers two 18-minute texture pieces that display a haunting quality by combining natural elements and electronically generated waves of sound, passion, and a little fury. Moog synthesizer programmer Richard Teitelbaum provides the landscape, pianist Anthony Davis the skyscapes, and Douglas Ewart on alto sax and bass clarinet provides the Bird-like characteristics. Lewis, on trombone and electronics, directs the ensemble from within this quiet storm's eye…
The Jeremy Ledbetter Trio’s debut album, Got a Light?, is a controlled explosion of big musical ideas, stylistic variety, vivid colours and compelling musical storytelling. The new project features three Canadian virtuosos – pianist and bandleader Jeremy Ledbetter, drummer Larnell Lewis of Snarky Puppy fame, and bassist Rich Brown (Steve Coleman, Dapp Theory) – at the top of their game.