Lie With me

This textbook provides an essential introduction to Lie groups, presenting the theory from its fundamental principles. Lie groups are a special class of groups that are studied using differential and integral calculus methods.

As someone who prides herself on creating powerful, familial connections with her musical community, Kree Harrison has never understood the sentiment of prizing biological family relationships above all else.

The injustices of history are made to be redressed. Here a cast of international singers, under the dynamic direction of Gergely Madaras, devotes itself with conviction to the task of reviving one of the forgotten glories of French Romantic opera. Hulda, completed in 1885, was never staged in César Franck's lifetime. This gory medieval legend recounts the multiple acts of vengeance it's heroine inflicts on the Aslak clan, which slaughtered her family, and on her unfaithful lover Eiolf. The ferocious performance of American soprano Jennifer Holloway in the title role is matched by the sinister presentiments of her French colleague Véronique Gens and the tender outbursts of Dutch soprano Judith van Wanroij.

"Transition" is the 7th studio album of John Miles in 1985, credited to the John Miles Band. In early 1984, Miles began to work on songs for his next album and went on tour to promote his current album Play On. In late spring 1984, Miles and Marshall wrote more songs from the album while their manager was looking for a new record label. Some time later, while he was performing in a residence in Ibiza, Miles met Phil Carson, who was an executive from Atlantic Records. He signed Miles to a new record label, Valentino. Miles and Marshall started to work with producer Trevor Rabin. Rabin, who had other commitments, only produced two tracks for them ("Blinded" and "I Need Your Love"). Miles did not want another long delay like with the previous album, he continued recording with engineer Pat Moran (who produced all other tracks except "Watching on Me" which was produced by Beau Hill) in Wales. "Blinded" and "I Need Your Love" were released as singles, but both failed to chart in the U.K, just like the album.

Recorded in December 1983, In Session captures an in-concert jam between Albert King and Stevie Ray Vaughan, the latter of whom had become the hot blues guitarist of the year thanks to his debut Texas Flood, as well as his work on David Bowie's hit Let's Dance. Vaughan may have been the new news, but King was not suffering, either. He had a world-class supporting band and was playing as well as he ever had. In other words, the stage was set for a fiery, exciting concert and that's exactly what they delivered.

2010 two CD collection containing 50 more tracks drawn from Bob Dylan's third season of Theme Time Radio Hour. Spanning 76 years, it contains artists as diverse as Roy Rogers, Bobby "Blue" Bland, Nirvana, Toots & the Maytals, Laura Cantrell, the Mississippi Sheiks - shuffle that lot on your iPod. This time there is a nod to the topical collapse of Western capitalism in Joe Mooney's 'The Man with $1 Million' and Mel Blanc's irresistibly alliterative (but blunt) 'Money'. Speaking of Mel we even got Pat Boone to write the sleeve note for that one. A prize for the first person to guess why. The introduction has been written by the novelist and poet Lavinia Greenlaw, whose book "The Importance of Music to Girls", is a must-read for music lovers and we have a spectacular array of annotators this time, ranging from the man who introduced US to the blues, Paul Oliver, to Sir Tim Rice on Elvis (Presley) and Elvis (Costello) on Dave Bartholomew's 'The Monkey (Speaks His Mind)' that he once covered.