Life Uploaded

This collection brings together the most influential country and western artists from country music’s golden age. Pioneering artists combined traditional mountain music with new instruments and sounds – launching their songs onto the national scene. Enjoy this unique collection of country’s original hits and hit makers. This one-of-a-kind set is the most comprehensive country music collection ever devoted to the classic hits of the ’50s and ’60s.

Porter Wagoner - A Slice Of Life (1962) & Satisfied Mind (1957) + 6 Bonus Tracks {Hoodoo Records 263545 rel 2016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 342 Mb | MP3 @320 -> 167 Mb
Full Artwork @ 300 dpi (jpg) -> 29 Mb | 5% repair rar
© 1957, 1962, 2016 RCA Victor / Hoodoo Records 26354
Country / Nashville Sound / Country Pop / Traditional Country

One of the most influential figures in country music history, the great Porter Wagoner was an artist ahead of his time. In 1952, signed a contract with RCA and developed a unique style of performance and produced a wealth of outstanding Country. This release puts together two of Porter Wagoner's finest LPs, the long unavailable: A Slice of Life's Happy 'n' Sad (1962) and his debut Satisfied Mind (1957). Originally released by the RCA Victor, both albums were remastered and supplemented with 6 bonus tracks from the same period. 24 bit digitally remastered, extensive 16-page booklet. 2 LPs on one CD!

The cast album accompanies the record-breaking musical that tells the story of the Motown soul legends.

Brilliant songs from the current crop of extraordinary singer-songwriters: This Is The Kit, Sufjan Stevens, Bright Eyes, Waxahatchee, Angel Olsen and more.

Continuing with the stylistic developments of Stranded, Country Life finds Roxy Music at the peak of their powers, alternating between majestic, unsettling art rock and glamorous, elegant pop/rock…

When Chris Stewart set out to write and record his third album as Black Marble, he was newly living in Los Angeles, fresh off a move from New York. The environment brought much excitement and possibility, but the distance had proved too much for the car he brought along. With it out of commission indefinitely, he purchased a bus pass and planned his daily commute from his Echo Park apartment to his downtown studio, where he began to shape Bigger Than Life. The route wound all through the city, from the small local shops of Echo Park to the rising glass of the business district, to the desperation of Skid Row. The hurried energy of the environment provided a backdrop for the daily trip. When Stewart finally arrived at his studio, he’d look through his window at the mountains and the sky, seeing the beauty that makes L.A. unique — the same beauty his fellow commuters, some pushed to the edge of human endurance, had seen. That was the headspace he was in when he began to map out the syncopated drums and staccato arpeggiation of Bigger Than Life, an ode to his new condition and a shimmering synth-pop response to its cacophony.