Light & Sound International – March 2018

Forest Light is the band around Italian singer Marta Arpini. The quintet is in search of a unique and individual sound that connects the musicians’ imagery and intensive playing. They use Marta’s material and invigorate a special universe of deep enchantment. The group combines the suggestive atmosphere of the world of the songwriter with the intensive collaboration characterising jazz, explores unique and individual colours and develops a quaint cross-over language in order to tell meaningful stories through the purity of the “songs”.

Apart from Grieg, no Scandinavian composer has written for the piano with more individuality and insight than Nielsen. Right from the very outset of his Five Piano Pieces, Op. 3, there is no doubt that his is an individual voice. The first emerges from a Schumannesque innocence to speak with personal accents, but all five are strong on humour and character. Nielsen’s greatest piano music is clustered into a period of four years (1916-20) with his final thoughts in the medium, the Three Pieces, Op. 59 of 1928 being composed in the immediate proximity of his Clarinet Concerto, music that already breathes the air of other planets. With the exception of Leif Ove Andsnes, no pianist of international standing has championed it on record, and apart from John Ogdon and John McCabe it has been the almost exclusive preserve of Nordic artists. True, the American scholar Mina Miller, who edited the autographs for the Hansen edition, recorded a complete survey in 1995 – also for Hyperion. But although Schnabel was the dedicatee of the Suite, Op. 45, he never broke a lance for it on the international scene. The Suite is not only Nielsen’s greatest keyboard work but arguably the mightiest ever written in Scandinavia. Martin Roscoe is right inside this music and guides us through its marvels with great subtlety and authority.

Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter and multi-instrumentalist. Widely regarded as one of the greatest musicians of his generation, he was known for his flamboyant, androgynous persona and wide vocal range, which included a far-reaching falsetto and high-pitched screams. Prince produced his albums himself, pioneering the Minneapolis sound. His music incorporated a wide variety of styles, including funk, R&B, rock, new wave, soul, synth-pop, pop, jazz, and hip hop. He often played most or all instruments on his recordings.