Some older fans looked askance at Lightbulb Sun, feeling it was verging on overt commercialism (and admittedly, the near power ballad solo on "Where We Would Be" is a bit odd!). Then again, given Wilson's own explorations of avant-garde pop with No-Man, who's to say why a slightly more radio-friendly stance can't work? "Shesmovedon" may have been a single, but there's no question who wrote and performed it – the elegant cascade of backing vocals on the chorus shows that much…
Some older fans looked askance at Lightbulb Sun, feeling it was verging on overt commercialism (and admittedly, the near power ballad solo on "Where We Would Be" is a bit odd!). Then again, given Wilson's own explorations of avant-garde pop with No-Man, who's to say why a slightly more radio-friendly stance can't work? "Shesmovedon" may have been a single, but there's no question who wrote and performed it – the elegant cascade of backing vocals on the chorus shows that much. Certainly Wilson hasn't turned into Max Martin or anything – it's still very much Porcupine Tree, in its lyrical turns of phrase and general sense of exploration…
Some older fans looked askance at Lightbulb Sun, feeling it was verging on overt commercialism (and admittedly, the near power ballad solo on "Where We Would Be" is a bit odd!). Then again, given Wilson's own explorations of avant-garde pop with No-Man, who's to say why a slightly more radio-friendly stance can't work? "Shesmovedon" may have been a single, but there's no question who wrote and performed it - the elegant cascade of backing vocals on the chorus shows that much. Certainly Wilson hasn't turned into Max Martin or anything - it's still very much Porcupine Tree, in its lyrical turns of phrase and general sense of exploration. One of the best tracks on the album is the brilliantly titled "Four Chords That Made a Million," a barbed cut on some unnamed "emperor in new clothes" beset by a "moron with a cheque book"…
A beautifully intimate performance to listen in on, Porcupine Tree's live CD, Warszawa, consists of a radio broadcast the band made for a small Polish audience in 2001. The group's customary languid, glassy feel stays intact, but certain musical elements, especially Steven Wilson's evocative vocals, occasionally reach gloriously unexpected moments of rawness and rapture…
Porcupine Tree were an English progressive rock band formed by musician Steven Wilson in 1987. The band began essentially as a solo project for Wilson, who created all of the band's music. By late 1993, however, he wanted to work in a band environment, bringing on frequent collaborators Richard Barbieri as keyboardist, Colin Edwin as bassist, and Chris Maitland as drummer to form the first permanent lineup…
Released as a semi stopgap collection in mid-2001 during a period of general Porcupine Tree inactivity, outside of some concert appearances here and there, Recordings compiles the various B-sides and extra tracks from singles taken from Stupid Dream and Lightbulb Sun, adding a couple of unreleased goodies as well. It's obviously for the hardcore fans more than anyone else - those wanting an introduction to the band will find it of interest but not the best place to start. Those hardcore fans, though, will find it a very enjoyable release, with the previously unavailable songs of definite interest. "Buying New Soul," which starts the album, is one of the band's subtler epics, an eleven-minute number with all the multitracked vocals and wistfully burnt imagery any fan of classic English prog could want…