Linda Evans You Control Me

VA - Overdose Of The Holy Ghost: The Sound Of Gospel Through The Disco & Boogie Eras (2013)

VA - Overdose Of The Holy Ghost: The Sound Of Gospel Through The Disco & Boogie Eras (2013)
EAC Rip | FLAC (tracks, cue, log) - 841 MB | MP3 CBR 320 kbps - 276 MB
1:59:25 | Gospel, Disco, Boogie | Label: Z Records

Dave Lee's Z Records label has a growing reputation as a purveyor of high quality, crate digger-friendly disco and boogie compilations. This latest, curated by former Nuphonic boss (and Ballistic Brothers member) David Hill, shines a light on the gospel end of black American dance music in the 1970s and early '80s. For those new to gospel's influence on disco and boogie, it's a revelation. Moving from righteous gospel-soul (Tommy T & Company, Truth & Devotion) to spine tingling disco screamers (Bobby Womack and Christina Essence's superb version of Sylvester favourite 'I Need You') and synth-laden boogie jams (Norman Weeks & The Revelations, The Young Delegation's brilliant "He Lives"), it's an unashamedly celebratory trip into dancefloor gospel territory. Recommended.

VA - 100 Hits: The Ladies (2015)  Music

Posted by Rtax at Oct. 3, 2021
VA - 100 Hits: The Ladies (2015)

VA - 100 Hits: The Ladies (2015)
EAC Rip | FLAC (tracks, cue, log, scans) - 2.8GB | MP3 CBR 320kbps - 906 MB
6:18:09 | Pop, Vocal | Label: 100 Hits - DMGN

The much loved 100 Hits range is back and revamped in a sleek slim digipak housing 5 discs of your favourite diva legends such as Bonnie Tyler, Dolly Parton & Kylie Minogue and many more!

R.E.M. - Live in Canada 1985 (2023)  Music

Posted by ciklon5 at Sept. 14, 2023
R.E.M. - Live in Canada 1985 (2023)

R.E.M. - Live in Canada 1985 (2023)
MP3 320 kbps | 1:48:31 | 248 Mb
Genre: Alternative Rock / Label: Vintage Jukebox

R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Though there were no overt innovations in their music, R.E.M. had an identity and sense of purpose that transformed the American underground.