James Brown’s celebrated homecoming concert in Augusta, Georgia will have its 50th anniversary marked by Republic/UMe’s first-ever release of the complete show on 25 October. Live At Home with His Bad Self will be available on CD, 2LP vinyl, and digital audio as a full memento of the Godfather of Soul’s concert at the Bell Auditorium in Augusta on 1 October 1969.
Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-million-selling albums containing chart-topping hit singles and perform sold-out tours of the U.S. and around the world, but he also took charge of his music creatively, writing or co-writing most of his songs and arranging and producing his records. He also performed these functions for other artists, providing them with hits as well.
The incomparable Johnny Cash takes the stage with his wife, June Carter Cash, the Statler Brothers, Carl Perkins and the Carter Family in this 1971 concert filmed live for Danish television. A memorable set list includes "Folsom Prison Blues," "I Walk the Line," "A Boy Named Sue," "Man in Black" "Me and Bobby McGee," "Help Me Make It Through the Night," "Blue Suede Shoes," "Flowers on the Wall" and the Maybelle Carter tribute, "Dear Mama."
James Brown cooking it live – recorded (as the cover says) "at home in Augusta, Georgia with his bad self"! The groove here is a nice extension of earlier Apollo modes – one that shows the increasing funkiness of the James Brown Band, captured with a raw power that few other groups could match – in a style that really paves the way for the James Brown/JBs sound of the 70s – with long tracks, and some killer fast versions of some of the best funky cuts from the late King Records years! The set includes a smoking 10 minute version of "Sex Machine" –plus other groovers like "I Got the Feeling", "Mother Popcorn", "Licking Stick", and a great version of "I Don't Want Nobody to Give Me Nothing".
When Sam Cooke signed with RCA Records in 1960, he had already had several hits ("You Send Me," "What A Wonderful World," and "Only Sixteen" among them) on the small independent label Keen Records. He had paid attention to the business sides of things, too, and he signed with RCA because he was allowed to keep control of his song publishing…