Presented here are two classic John Coltrane live recordings made at the Birdland jazz club in the early 1960s. While the first three tracks feature the leader with his immortal quartet (featuring McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums), on the last three the great Eric Dolphy is added to that group.
Presented here are two classic John Coltrane live recordings made at the Birdland jazz club in the early 1960s. While the first three tracks feature the leader with his immortal quartet (featuring McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums), on the last three the great Eric Dolphy is added to that group.
NEA Jazz Master Dave Liebman's latest is a thrilling free jazz outing featuring the boundless soprano saxophonist in the company of four modern musical masters: Peter Evans, Leo Genovese, John Hébert and Tyshawn Sorey.
A rare private recording of John Coltrane playing his iconic work A Love Supreme is getting released for the first time. A Love Supreme: Live in Seattle arrives October 8 (via Impulse!/UMe). The set was captured by saxophonist and educator Joe Brazil in 1965 on the final night of Coltrane’s weeklong stint at the Penthouse in Seattle. The lineup featured legendary musicians Pharoah Sanders, McCoy Tyner, Elvin Jones, Jimmy Garrison, and more.
On August 30, saxophone master James Carter will release his Blue Note Records debut James Carter Organ Trio: Live From Newport Jazz, a thrilling live performance of Carter’s imaginative soul jazz reinvention of Django Reinhardt that was captured at the 2018 Newport Jazz Festival.
1965 was a furious time for John Coltrane. He had just come off the recording of the future landmark, A Love Supreme a year earlier and now was in mist of a series of quartet and ensemble sessions. By June of '65 Coltrane had recorded The Quartet Plays, OM, Kulu Se Mama, Selflessness and another landmark recording to rival A Love Supreme–Ascension. Ascension was a massive work that feature a who's who of future jazz legends (Freddie Hubbard, Pharoah Sanders, Archie Shepp, Art Davis, Jimmy Garrison, Elvin Jones, Marion Brown, Dewey Johnson and McCoy Tyner). It is another spiritual masterpiece that is difficult for the average Coltrane fan to get their head and ears around. It is a cavalcade of sound and emotion that is similar in scope to OM. Shortly after its release Coltrane set out on a European tour with his current quartet. This formed the basis for the Live In France release.
What we said: Try to imagine an over-the-air commercial radio station broadcasting a Cecil Taylor concert. You can’t? Neither can I. But that sort of thing used to happen. Here’s proof: two sets by John Coltrane’s classic quartet at New York’s Half Note, broadcast live on WABC-FM in March and May of 1965. The two-CD set captures Coltrane’s music on the cusp of major change, just weeks before embarking on the last phase of his career–during which he expunged from his music every last speck of convention. Pianist McCoy Tyner and drummer Elvin Jones would soon depart, to be replaced by Alice Coltrane, Rashied Ali and a cast of thousands. This album documents the classic quartet near the end of its incredible run.