Live at Sunrise

The music of Pink Floyd, coloful, imaginative, surrealistic, and highly inventive, lends itself very well to visual representation. Shot in and around an ancient amphitheatre among the ruins of old Pompeii, Pink Floyd treats the viewer to a stunning audio-visual experience…

Recorded at Albert King's appearance at the 1973 Montreux Jazz Festival, Blues at Sunrise: Live at Montreux is a typically engaging live record from the guitarist. King is in good form and the set list is a little unpredictable, featuring standards like "Blues at Sunrise" and "I'll Play the Blues for You" as well as lesser-known items like "Little Brother (Make a Way)" and "Don't Burn Down the Bridge."

The concept behind Blues at Sunrise is a good one: collect ten of SRV's best slow blues numbers, primarily from the official studio albums but also a couple of unreleased cuts and rarities, and sequence them as if they were a lost studio album. It's a neat idea, especially when it's packaged in artwork that deliberately evokes memories of classic blues albums from the '60s (there's even a fake, faded record ring on the front and back covers), and it's hard to fault the music here. All the obvious selections are here – "Ain't Gone 'N' Give Up on Love," "The Things (That) I Used to Do," "Leave My Girl Alone."

The concept behind Blues at Sunrise is a good one: collect ten of SRV's best slow blues numbers, primarily from the official studio albums but also a couple of unreleased cuts and rarities, and sequence them as if they were a lost studio album. It's a neat idea, especially when it's packaged in artwork that deliberately evokes memories of classic blues albums from the '60s (there's even a fake, faded record ring on the front and back covers), and it's hard to fault the music here. All the obvious selections are here – "Ain't Gone 'N' Give Up on Love," "The Things (That) I Used to Do," "Leave My Girl Alone."

Blue Note Records has announced an April 26 release of Sonny Rollins A Night at the Village Vanguard: The Complete Masters, a special Tone Poet Vinyl Edition of the legendary saxophonist’s tour-de-force live trio album. The expanded 3-LP set, which can be ordered now on the Blue Note Store, marks the first time Rollins’ complete recorded performances at the Village Vanguard on November 3, 1957 will be made available in a single vinyl package. The collection is also available as a 2-CD set and on all digital formats.

Sun Ra - Live At The Horseshoe Tavern, Toronto 1978 (2008) {10CD Set, Transparency ‎0310, Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.98 Gb | MP3 @320 -> 1.17 Gb
Full Artwork @ 300 dpi (jpg) -> 65 Mb | 5% repair rar
© 1978, 2008 Transparency ‎| 0310
Jazz / Experimental Big Band / Avant-Garde Jazz / Cosmic Jazz / Progressive Jazz

Three slices of work from the Sun Ra Arkestra – all recorded at the Horseshoe Tavern in Toronto in 1978, and presented here as a massive 10 CD package! The format is great – as the set offers up the full concert performance from each night, not just a handful of songs – and each date in the package is represented with 3CDs of music, so that together the whole thing spans almost 8 hours in length! Performances are from March 13, September 27, and November 4, 1978 – and the set also features a bonus CD that includes a 1968 interview on WBAI. And the recording quality is great!

The Eagles spent most of 2018 on the road with an extensive North American tour that found Don Henley, Joe Walsh, and Timothy B. Schmit joined by two new bandmates: Deacon Frey and Vince Gill. Earning rave reviews from fans and critics alike, the quintet was firing on all cylinders when they arrived at the Forum in Los Angeles for three sold-out, hometown shows on September 12, 14, and 15. Highlights from all three shows have now been compiled for a new 26-song live album and concert film Live From The Forum MMXVIII. Live From The Forum MMXVIII captures definitive live performances of the band’s most iconic hits (“Hotel California,” “Take It Easy,” “Life In The Fast Lane,” “Desperado”) and beloved album tracks (“Ol’ 55,” “Those Shoes”), along with some of the individual members’ biggest solo smashes (Don Henley’s “Boys Of Summer,” Vince Gill’s “Don’t Let Our Love Start Slippin’ Away,” Joe Walsh’s “Rocky Mountain Way”).

Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.

Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.