Three slices of work from the Sun Ra Arkestra – all recorded at the Horseshoe Tavern in Toronto in 1978, and presented here as a massive 10 CD package! The format is great – as the set offers up the full concert performance from each night, not just a handful of songs – and each date in the package is represented with 3CDs of music, so that together the whole thing spans almost 8 hours in length! Performances are from March 13, September 27, and November 4, 1978 – and the set also features a bonus CD that includes a 1968 interview on WBAI. And the recording quality is great!
In many Yes fans' eyes, the group will never issue a live album better than their 1973 classic, Yessongs. But the group has issued quite a few subsequent live sets, and as evidenced by 2007's Live at Montreux 2003, Yes remain one of prog rock's top live bands. Live at Montreux features arguably their definitive lineup (Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman, and Alan White) and a few newer tracks are included, but Yes are no fools - they know that longtime fans expect to hear the classics. Nearly all of Yes' classics from the early '70s are here in solid/spirited renditions, including "Long Distance Runaround," "I've Seen All Good People," and "Roundabout." And it's always a gas to hear such album cuts/fan favorites as "Siberian Khatru," "Heart of the Sunrise," "And You and I," and "South Side of the Sky," while even "Don't Kill the Whale" gets a rare airing…
In many Yes fans' eyes, the group will never issue a live album better than their 1973 classic, Yessongs. But the group has issued quite a few subsequent live sets, and as evidenced by 2007's Live at Montreux 2003, Yes remain one of prog rock's top live bands. Live at Montreux features arguably their definitive lineup (Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman, and Alan White) and a few newer tracks are included, but Yes are no fools - they know that longtime fans expect to hear the classics. Nearly all of Yes' classics from the early '70s are here in solid/spirited renditions, including "Long Distance Runaround," "I've Seen All Good People," and "Roundabout." And it's always a gas to hear such album cuts/fan favorites as "Siberian Khatru," "Heart of the Sunrise," "And You and I," and "South Side of the Sky," while even "Don't Kill the Whale" gets a rare airing…
In many Yes fans' eyes, the group will never issue a live album better than their 1973 classic, Yessongs. But the group has issued quite a few subsequent live sets, and as evidenced by 2007's Live at Montreux 2003, Yes remain one of prog rock's top live bands. Live at Montreux features arguably their definitive lineup (Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman, and Alan White) and a few newer tracks are included, but Yes are no fools - they know that longtime fans expect to hear the classics. Nearly all of Yes' classics from the early '70s are here in solid/spirited renditions, including "Long Distance Runaround," "I've Seen All Good People," and "Roundabout." And it's always a gas to hear such album cuts/fan favorites as "Siberian Khatru," "Heart of the Sunrise," "And You and I," and "South Side of the Sky," while even "Don't Kill the Whale" gets a rare airing…
Playing at Maybeck Recital Hall before a small but attentive crowd seems to bring out the best in many pianists. Stanley Cowell performs a well-planned program of 14 selections on this 1990 CD. On a two-minute "Softly as in a Morning Sunrise," Cowell runs through all twelve keys. He pays tribute to the stride-piano tradition on "Stompin' at the Savoy," explores some bop, Latin-jazz (a transformed "Autumn Leaves") and post bop music, plays "Jitterbug Waltz" in the style of Art Tatum, inteprets "Stella by Starlight" in 5/4 time and performs J.J. Johnson's "Lament" with just his left hand. A very interesting recital. ~ Scott Yanow, All Music Guide
In 2016, Jon Anderson, Trevor Rabin and Rick Wakeman brought together their incredible talents and long experience of working in Yes to take to the road for a series of concerts celebrating Yes’ musical legacy of the seventies, eighties and nineties. Yes featuring Jon Anderson, Trevor Rabin and Rick Wakeman toured first in North America and then brought their live show to the UK in early 2017, including this performance captured at the Manchester Apollo…
In 2016, Jon Anderson, Trevor Rabin and Rick Wakeman brought together their incredible talents and long experience of working in Yes to take to the road for a series of concerts celebrating Yes’ musical legacy of the seventies, eighties and nineties. Yes featuring Jon Anderson, Trevor Rabin and Rick Wakeman toured first in North America and then brought their live show to the UK in early 2017, including this performance captured at the Manchester Apollo…
Devotees of superior jazz vocalists have several reasons to rejoice about this fourth CD by the highly respected San Francisco-based Paula West. First and foremost, the recording is simply a true knockout; but the rejoicing is also because, despite rave audiences and reviews for over a decade, this is West's first release since the impressively executed Come What May (High Horse) in 2001. Recorded during an engagement at New York City's Jazz Standard in 2011, it features stellar but recently departed pianist/arranger George Mesterhazy's quartet (including guitarist Ed Cherry), the excellent band with which she has long collaborated. Those hearing West for the first time will be struck initially by her unusually strong and rich vocal instrument, with breath control, purity of tone and pitch to die for…
John Coltrane's week at the Village Vanguard in 1961 resulted in a total of 22 recorded versions of nine songs, all of which have been released in the four-CD box The Complete 1961 Village Vanguard Recordings. This 1998 single CD has the five performances that the great saxophonist had agreed to have released during his lifetime: three numbers from the original Live at the Village Vanguard LP ("Spiritual," "Softly as in a Morning Sunrise," and "Chasin' the Trane") and two songs that appeared on Impressions (the title cut and "India"). Although branded as "anti-jazz" by John S. Wilson (an attack that was seconded by Leonard Feather), the music is actually quite coherent and would even be thought of as moderately conservative today, particularly "Spiritual" and the boppish rendition of "Softly"…