Live at The Royal Albert Hall

ANDRÉ RIEU created the Johann Strauss Orchestra in 1987 which began with 12 members but now performs with between 40 and 50 musicians. His repertoire covers a wide range of classical music as well as popular and folk music plus music from well-known sound tracks and theatre musicals…

For three decades now, Rod Stewart has been an iconic force in the realm of popular music. Through a stellar catalog of classic songs - many of which he's written or co-written - he's earned his place in the pantheon of genuine musical legends. His infinitely expressive voice, sly wit, and a truly electrifying stage presence have earned Rod Stewart a place in the hearts and lives of millions of fans worldwide…

BMG will issue Live at the Royal Albert Hall 1974 in February a Bryan Ferry live album that was recorded 45 years ago at the famous London venue. This concert saw the setlist built from Ferry’s first two solo albums, 1973’s These Foolish Things and Another Time, Another Place from 1974. Both albums saw the Roxy Music frontman cover other people’s songs (with the exception of Another Time, Another Place‘s title track).

In 2022, Bryan Adams headlined three epic nights at London’s historic Royal Albert Hall. Each evening, Adams performed one of his classic albums in its entirety: Cuts Like A Knife (Night 1), Into The Fire (Night 2) and Waking up The Neighbours (Night 3). For the first time these recordings are available on one exquisite box set which includes 35 songs on 3 CDs, a Blu-Ray DVD featuring all of the performances, and a 32-page photo book featuring exclusive images from these storied nights.

The second part of a trilogy of live albums paying tribute to Ronnie Wood's early musical inspirations, Mr. Luck: A Tribute to Jimmy Reed – Live at Royal Albert Hall captures a November 1, 2013 concert at Royal Albert Hall. Mick Taylor sits in with the Ronnie Wood Band, while Bobby Womack, Paul Weller, and Mick Hucknall all take a turn in the spotlight – enough guests to grab the attention of the curious but not enough to overwhelm the proceedings. What happened on the stage was a spirited, loving tribute to the great bluesman Jimmy Reed, whose boogies and shuffles are easy to play and tricky to master. Wood and Taylor have long since absorbed the intricacies of the interplay of Reed and Eddie Taylor, staying faithful to the spirit and opening up the blues to a wealth of solos, including some appropriately greasy harp. There are no reinventions here, but there didn't need to be: saluting Jimmy Reed with just the right amount of heart and humor makes Mr. Luck a rocking good time.