Live

Frontiers Music Srl is proud to announce the release of another stunning live performance from Alan Parsons and his incredibly skilled band of musicians "One Note Symphony: Live In Tel Aviv" on February 11, 2022. The band's performance with the Israel Philharmonic Orchestra.

On Friday 29th July electronic titans The Orb will perform their seminal debut album ‘Adventures Beyond The Ultraworld’ in full for the first time ever, to mark its 25th anniversary. For this very special sliver jubilee gig, Alex Paterson and Thomas Fehlmann will be joined on stage by the original cast of collaborators who helped create the magic on this influential, era-defining milestone, plus a special punk icon whose music heavily influenced The Orb. Paul Cook of Sex Pistols fame will guest on drums and fellow punk legend, original Orb member and ‘Little Fluffy Clouds’ co-writer Youth will join on bass. Psychedelic-electronic-prog heroes Steve Hillage and partner Miquette Giraudy co-wrote ‘Supernova’ and ‘Backside Of The Moon’, and will also bring their mythical shamanistic magic to this special show.

Carole King Tapestry: Live in Hyde Park celebrates the 45th anniversary of Carole King s masterpiece with a spectacular concert for more than 65,000 fans in Hyde Park on July 3, 2016 including the first-ever performance of the entire album in sequence…

Sir John Eliot Gardiner leads the Orchestre Révolutionnaire et Romantique in performances of Schubert's Symphony No. 5 in B-flat Major D.485 and Brahms's Serenade No. 2 in A Major, Op. 16 recorded live in concert at The Concertgebouw, Amsterdam. In Serenade No.2 a 20-year-old Brahms chooses to omit violins, creating an unusually dark sound, while the lively style of Schuberts Symphony No.5 seems to reflect the composers youthful exuberance.

Back when live albums were fixtures of rock & roll discographies, common practice dictated that a band should accumulate…oh, about four studio long-players' worth of material before even considering itself deserving of releasing such a "career-crowning" document. Of course "common practices" never applied to metallic trio Sodom, one of three legendary German thrash bands (along with Destruction and Kreator) to steamroll through the 1980s and help pave the way for virtually all European extreme bands that followed. Believe it or not, to many of these, 1988's Mortal Way of Live was as influential and thrilling a live album as Deep Purple's Made in Japan had been to previous generation…

Lee Morgan - Live At The Lighthouse (1970) {3CD Set Blue Note CDP 724383522828}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.08 Gb | MP3 @320 -> 432 Mb
Full Artwork @ 300 dpi (jpg) -> 38 Mb | 5% repair rar
© 1970, 1996 Blue Note / Capitol Records / EMI | CDP 7243 8 35228 2 8
Jazz / Modal Music / Post Bop / Trumpet

This three-CD set from Blue Note expands trumpeter Lee Morgan's original two-LP set from four selections to 12. Morgan's music had become much more modal by this time, heavily influenced by John Coltrane, although some of the previously unissued numbers (including a remake of his popular "The Sidewinder") are a bit more straight-ahead. Bennie Maupin (on tenor, bass clarinet, and flute) is in peak form and the rhythm section (pianist Harold Mabern, bassist Jymie Merritt, and drummer Mickey Roker) is alert and creative. All of the songs are group originals, including two by Morgan (on his "Speedball," Jack DeJohnette sits in on drums), five by Maupin, three by Mabern, and two from Merritt. Stimulating and frequently exciting music from late in Lee Morgan's short life.

It's not obvious from listening to it, but Popa Chubby's Big Man Big Guitar is a compilation of two live albums that were previously only available in Europe: Live at FIP and Wild. The CD is the sister title to a DVD, too, and while the release may show every sign of being a souvenir of the video, or a thrown-together hodgepodge, it isn't at all. Chubby's known for his blistering live sets, but this collection takes a risk by having a gradual dramatic arc, starting slowly with a slinky version of "Hey Joe" and working its way up to the frenzied "Keep on the Sunny Side" and "Time Is Killing Me" (consider the solo performance of "How'd a White Boy Get the Blues," a gutsy encore). What's fascinating for returning Chubby fans is that these shows come from 2001 and 2002, and the bitter political muse summoned for 2004's Peace, Love and Respect was not a major factor yet.

This CD with remastered sound contains the FM radio broadcast recording from the Paramount Theatre, Denver, Colorado, 13th April 1989.