Living Jamey Johnson

It's fitting that Chris and Morgane Stapleton open this homage to Waylon Jennings – they're a spiritual echo of Jennings and Jessi Colter, the duke and duchess of Seventies outlaw country, and emblematic of how the movement shaped generations of acts who chafe at Nashville conservatism but refuse to be marginalized. Recorded live in July 2015, this concert LP gathers Jennings' family and friends with all-star acolytes for the rarest of things: a tribute album that almost never flags, with performances that approach or match the originals.

This once-in-a-lifetime concert event took place Saturday, January 12, 2019 at the Bridgestone Arena in Nashville, TN. This historic event honored living legend Willie Nelson and featured his greatest hits performed by today’s biggest superstars. Willie: Life & Songs Of An American Outlaw featured star-studded performances by Willie Nelson, Alison Krauss, The Avett Brothers, Bobby Bare, Chris Stapleton, Dave Matthews, Emmylou Harris, Eric Church, George Strait, Jack Johnson, Jamey Johnson, Jason Isbell, Jimmy Buffett, John Mellencamp, Kris Kristofferson, Lee Ann Womack, Lukas Nelson, Lyle Lovett, Margo Price, Micah Nelson, Nathaniel Rateliff, Norah Jones and The Little Willies, Ray Benson, Rodney Crowell, Sheryl Crow, Steve Earle, Sturgill Simpson, Susan Tedeschi & Derek Trucks, and Vince Gill. This major event was filmed and recorded for a major broadcast special slated to air on A&E Network in 2019.

The finest country songwriters understand that the best way to a big idea is often through a small detail. Consider the central gesture that dictates the action in Brandy Clark's beautiful song "I Cried," which appears on producer Dave Cobb's graceful compilation album Southern Family. Contemplating a grandfather's death and his wife's ensuing loneliness, Clark builds the song's chorus around the phrase, "I cried," her voice arching up into a tender, transcendent falsetto; in the next line, she takes the mood down again. "I tried to hold my head high, it ended up in my hands." That simple image so effectively captures the experience of living with grief: the attempt to show strength for others, for your own sanity, and the gradual, quiet, repetitive sag into vulnerability. Who hasn't experienced this moment at a funeral — or, as Clark describes, while simply talking on the phone with a fellow loved one left behind?

Don Henley doesn't move fast because he can afford not to hurry. He can spend the better part of a decade waiting out a record contract, labor on a 90-minute Eagles reunion for maybe half a decade, then take another eight years before returning with Cass County, his first solo album in 15 years and only fifth overall. That's the mark of a man who takes his time, but all that chronology pales compared to the true journey Cass County represents: a return to Henley's country roots, whether they lie in the blissed-out, mellow sunshine of Southern California or the Texas home that provides this record with its name.