Charming, lighthearted and fizzing with subversive wit, Neil Armfield's sparkling production of The Marriage of Figaro masterfully captures Mozart's most popular comedic opera. In this classic performance, recorded live at the Sydney Opera House, Patrick Summers conducts an energetic fresh-voiced cast, headed up by baritone Teddy Tahu Rhodes and Taryn Feibig who make a vivacious, appealing pairing as Figaro and Susanna, while Peter Coleman-Wright triumphs as the lascivious Count Almaviva.
The Golden Tour was the fifteenth concert tour by Australian recording artist Kylie Minogue. It was launched in support of her fourteenth studio album, Golden (2018) and visited Europe and Australia. It began on 18 September 2018 in Newcastle, England at the Metro Radio Arena and concluded on 17 March 2019 in Mount Cotton, Australia at Sirromet Wines…
An all-star cast featuring Deutsche Grammophon artist Anna Netrebko, Bryn Terfel and Anna Prohaska, delivers a sensational new recording of Mozart’s Don Giovanni, conducted by Daniel Barenboim at the start of his inaugural season as Music Director of La Scala. Recorded live at the opening of the 2011-12 La Scala season, Don Giovanni is now set to be released in time for Bryn Terfel’s 50th birthday on 9 November 2015. It also ties in with the traditional opening of the new season at La Scala – 7 December, the feast-day of St Ambrose, patron saint of Milan.
Don Giovanni, a libertine, a rake with a devil-may-care attitude, is portrayed magnificently by Teddy Tahu Rhodes in this Opera Australia production, where he first appears on stage in a costume where less is definitely more! Charismatic and sexy, Rhodes acting and singing are magnificent. His misused servant, Leporello, is played by Conal Coad, who skilfully promotes the opera's comic elements whilst delivering a thumping bass full of drama.
The classic stage designs of Carl Friedrich Oberle form the backdrop to the drama of Don Giovanni's last day on earth, before he is hurled in to Hell's flames by the Commendatore, Daniel Sumegi, whose basso profundo is befittingly momentous.
On New Year’s Eve 2012 Joyce DiDonato became the first singer to take the title role in Donizetti’s Maria Stuarda at New York’s Metropolitan Opera. With her at its heart, the production became, in the words of Opera magazine, “a high point of the season and of the company’s performance history of bel canto operas”.