It's been over 10 years since the last edition, this new volume of "La Musica De Los Dioses" subtitled "Requiem" find fourteen original pieces that try to provide a spectrum of influences whose origins come from the most remote places on the planet. Chill flamenco, the mystical sound, the Eastern atmospheres and Classic, Chill Out and Ambient. They combine to offer an album with unique identity of its kind. Sounds and influences combine to create a timeless atmosphere, where ethnic and electronic sounds offer a whole multi-cultural sound spectrum. On this occasion La Musica De Los Dioses offers sounds, percussions and voices of the Amazon forest, the tropical islands and Indonesia or multiple regions of Africa, Gregorian chants, sounds with "Alma" converge here with the influences of very different cultures and current rates. Each of the pieces is a marvel of harmony and instrumentation with eternal stories of love and passion.
Los Angeles based band, Los Lobos, have always been inspired by their surroundings and the place they call home. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. With Native Sons the band set out to showcase all of these influences with their own take on the songs of Los Angeles from some of the cities greatest songwriters. Native Sons features 13-songs from well known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers. The album title track is the sole original composition written by the band.
Nothing could be more appropriate in celebrating Victoria de los Angeles’s 75th birthday than this extensive conspectus of her recordings of Spanish song over 40 years. It’s hardly possible in a brief review to do justice to such an astonishing achievement on the part of the Spanish soprano; indeed had she sung nothing else her place in recorded history would be assured.
The problem with the sizable majority of Christmas albums is they sound pretty much the same. Most yuletide records feature the same songs about Jesus or Santa that have been circulating for decades (if not centuries), and regardless of the genre, someone throws in sleigh bells or a "Ho Ho Ho" to remind you that yes, this is Christmas music.
Mixing the familiar sounds of Dick Dale, Duane Eddy, and the Ventures, Los Straitjackets create their own version of energetic surf guitar twang, complete with Mexican wrestling masks. Los Straitjackets began in the summer of 1988. Eddie Angel (guitar), L.J. "Jimmy" Lester (drums), and Danny Amis (guitar) formed an instrumental trio called the Straitjackets, which played local Nashville shows throughout the summer. After a six-year hiatus, the Straitjackets reunited, added E. Scott Esbeck on bass, and changed their name to Los Straitjackets. In November 1994, the band signed with Upstart Records.