Lossless

"Fearless was an album full of magic and curiosity, the bliss and devastation of youth. It was the diary of the adventures and explorations of a teenage girl who was learning tiny lessons with every new crack in the facade of the fairytale ending she'd been shown in the movies. I'm thrilled to tell you that my new version of Fearless is done and will be with you soon. It's called Fearless (Taylor's Version) and it includes 27 songs."

Whenever he was asked to name his own personal favorite within his long and distinguished oeuvre, Jerry Goldsmith inevitably cited his work on 1977's obscure Ernest Hemingway adaptation Islands in the Stream. A lush, often melancholy score evoking both the serenity and the treachery of the sea, it is undoubtedly Goldsmith's most intimate effort, eschewing the larger-than-life drama and suspense of his best-known soundtracks. Islands in the Stream is above all a showcase for the composer's consummate ability to vividly communicate both the physical and emotional landscape in such simple yet precise strokes – employing little but a lone French horn, Goldsmith's main theme captures the immense loneliness and solitude of George C. Scott's protagonist, while gentle woodwinds suggest the ocean waves lapping the shore of his island home.

Karajan could be so expressive, with the big sound of the Berlin Philharmonic, in Vivaldi's very famous Magnum Opus. Solo violinist Michel Schwalbe is also terrific, quiet and bold alternately, as needed.

The music written by Enigma, Mike Oldfield, Tangerine Dream, The Doors, Phil Collins, Kate Bush, Pink Floyd. Themes from "Basic Instinct", "Twin Peaks", "The Bodyguard", "Terminator".