Coming almost two decades after the release of the original Grammy-winning, self-titled LP, the new album is a collection of previously unreleased tracks––some of which were recorded during the original album’s sessions in Havana and others from the years that followed. The studio tracks on Lost and Found were recorded at the 1996 Egrem studio sessions in Havana and during a period of rich and prolific creativity stretching into the early 2000s following the recording of the original album. Lost and Found also features live recordings from the world tours of Buena Vista’s legendary veterans.
Lost Tarantism is a studio album with twelve hitherto unreleased songs! Tito Larriva, singer and mastermind of Tito & Tarantula, discovered the unpublished and long forgotten footage from the Tarantism sessions in it's archive. Emotional depth always evocative music, which was for a new genre of American film music and stands. Tito & Tarantula at it's best! Tracks full of energy and cinematic associations. Once again you show Tito extraordinary talent as a songwriter and singer, sometimes rock, sometimes trashy, then surprisingly soulful, wistfully. But always be with this wonderful, dangerous voice that tells us so much and guessed so much more and feel.
Orioxy's music is fragile, ephemeral and dreamlike. Lead singer Yael Miller and harpist Julie Campiche set the tone for the group's ever-evolving musical exploration. These two young women are the soul of the ensemble. Percussionist Roland Merlinc and base player Manu Hagmann keep them grounded, something akin to pulling on the silken string of a soaring kite gone wild.
The world of Orioxy is a world of contrasts where sweetness and intimacy mingle with wild organic energy. Their every composition is an imaginary creaking universe. Orioxy is a patchwork of diverse musical styles, film art, poetry and political news! From music box to oriental rhythms, via rock and electro-acoustic, they invite us to share in an adventure of delicate madness.
Tom Jones has always been better than the average music snob has been willing to acknowledge. Even when he was making his living as the greatest of all Las Vegas lounge lizards, he had craft, passion, and a desire to deliver for his audience that put his peers to shame. At the age of 75, he's not only singing with all the force, power, and authority he commanded in the '60s and '70s, but he's making the best and most ambitious recordings of his career. Long Lost Suitcase is Jones' third project with producer Ethan Johns, and like 2010's Praise & Blame and 2012's Spirit in the Room, it finds Jones digging into rootsy sounds that give him a chance to indulge his passion for blues, vintage gospel, and R&B.
The title of the Alvin brothers’ follow-up to their Grammy-nominated 2014 Common Ground reunion project that found them working together for the first time in 30 years is multi-faceted and bittersweet. Clearly they are trying to make up for that lost time after not working together since Dave amicably left the Blasters in 1987. But more than that, these dozen covers are predominantly tunes that were also lost to time. Phil and Dave dig deep to reveal these hidden blues and R&B gems, then polish, rearrange and unleash them with pent up energy, providing the tracks with new leases on life. Dave’s short yet informative liner notes explain the disc is also a tribute to ’50s blues shouter and Alvin brothers friend Big Joe Turner, whose photo adorns the back cover. Four tracks are Turner covers and it’s no secret that much of Phil’s distinctive singing style dates back to that of Big Joe. But from the opening guitar and walking bass lick of Oscar Brown, Jr.’s demonic “Mr. Kicks” to the closing acoustic gospel of “If You See My Savior” (one of the few times both guys sing on the same tune), it’s clear the brothers are having a blast reviving songs they obviously love and have influenced them for decades.
In March 2007, Lost & Found is released including twelve new songs in a CD, three of which are sung by Devon Allman, and a DVD with two hours’ worth of videoclips and live material from the European and Canadian tours. Some of the most important songs are “Get Funky”, “Man on the Run”, “Open your Eyes”, “Lost & Found” (the album title song) and a version of Derek and the Dominos’ ‘Layla’, sung by Devon.
Doom legends Paradise Lost continue to churn out albums of high quality and The Plague Within delivers the goods. They meld their signature Doom Metal with their more angry, Death Metal stylings. They open the album with the very melodic "No Hope In Sight" and follow it up with a much more aggressive cut "Terminal". The album definitely gets more and more old school as it goes along integrating guttural vocals to the aggression. Other highlights include "Punishment Through Time", the blistering "Flesh From Bone" and "Cry Out". Another solid album from the prolific Paradise Lost.
York presents Best Of Planet Chill Vol. 1. Behind York hides the music producer Torsten Stenzel, who is behind the productions of Kai Tracid, Sakin & Friends and many more. The series "Planet Chill" has been enjoying great popularity among friends of ambient / chill-out music for some years now and is hereby also appearing as a physical sound carrier! This first issue contains a Best Of the Most Beautiful Titles that have appeared on the (digital) Planet Chill Samplers in recent years. Handpicked and put together with great attention to detail by York a.k.a. Torsten Stenzel.