Lost Highway

Lucinda Williams - Blessed (2011) [2CD] {Lost Highway Records Deluxe Edition}
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© 2011 Lost Highway Records / Universal | B0015240-02
Americana / Alternative / Alternative Country Rock / Singer/Songwriter

Blessed, the stunning new album from three-time Grammy Award-winner Lucinda Williams is set for release on March 1st 2011 by Lost Highway. Considered by many to be one of America's greatest living songwriters, Williams lives up to that and more by delivering 12 new songs that cover an even wider emotional spectrum than her previous work, without moving too far in any one direction. Blessed opens with the gritty kiss-off "Buttercup" then moves seamlessly into the sultry blues of "Born To Be Loved". Williams delves into a heavier subject as she questions the motives for a suicide on the hard-driving "Seeing Black", which features blistering guitar from Elvis Costello. The thoughtful title track slowly builds to a melodic climax as it offers an eye-opening look at what's right in front of us, but too often unnoticed.

Lost Highway is the tenth studio album by American rock band Bon Jovi. Produced by John Shanks and Dann Huff, the album was recorded at Black Bird Studios, Nashville and NGR Recording, Hollywood. The album influences the band's rock sound with that of country music following the success of a country version of the band's 2006 single "Who Says You Can't Go Home", a duet with Jennifer Nettles, which reached No. 1 on the U.S. country chart in May 2006. Following the success had with the duet version of "Who Says You Can't Go Home", there are two songs on the album produced in collaboration with other artists, namely "We Got It Going On" featuring Big & Rich and the single "Till We Ain't Strangers Anymore" featuring LeAnn Rimes.

Adam Eckersley Band - The Second Album (2015) {Lost Highway 4745987}
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© 2015 Lost Highway Records Australia / Universal | 4745987
Rock / Country Rock / Southern Rock

The Adam Eckersley Band infuse harmony laden country rock with a southern rock feel in well crafted songs that put a balanced emphasis on riffs, soulful grooves and uplifting choruses. And it’s their willingness to stretch out musically and over genres that makes them interesting. Their songs always leave plenty of room to jam and groove, even if they don’t always take advantage of that. And if there’s a downside, it’s simply that their crossover style might struggle to get a hearing in a Nashville dominated music scene currently over populated by denim clad cowboys with heartland lyrics, big choruses and a power guitar solo.

Lucinda Williams - Live @ The Fillmore (2005) [2CD] {Lost Highway Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 807 Mb | MP3 @320 -> 277 Mb
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© 2005 Lost Highway Records / Universal | B0002368-02
Americana / Folk / Country / Alternative Folk / Alternative Country Rock

Lucinda Williams has earned a reputation for her meticulous approach to making albums, but a careful listen to her work suggests that she isn't trying to make her music sound perfect, she just wants it to sound right, and she isn't afraid to spend the extra time waiting for the charmed moment to get caught on tape. This attitude seems to be borne out in her first-ever concert album, Live @ The Fillmore, which manages to sound carefully considered, and a model of "warts and all" authenticity at the same time.

UNKLE have announced their new album, The Road: Part II/Lost Highway, out March 29 on Songs For The Def. It’s the second part of a new musical trilogy from James Lavelle and the gang, and the follow-up to UNKLE’s 2017 album The Road: Part I. The new record is reportedly split into two acts, and features collaborations with Tom Smith (The Editors), Ian Astbury (The Cult), Andrew Innes (Primal Scream), Jon Theodore (Queens of the Stone Age), and Mick Jones (The Clash).