This 3CD/DVD/2LP Deluxe Edition of the legendary artist’s Sire Records debut features newly remastered sound, unreleased studio and live tracks, plus the DVD debut of “The New York Album” concert video. This limited edition and exclusive bundle also comes with a cassette version of the New York album.
New York City figured so prominently in Lou Reed's music for so long that it's surprising it took him until 1989 to make an album simply called New York, a set of 14 scenes and sketches that represents the strongest, best-realized set of songs of Reed's solo career. While Reed's 1982 comeback, The Blue Mask, sometimes found him reaching for effects, New York's accumulated details and deft caricatures hit bull's-eye after bull's-eye for 57 minutes, and do so with an easy stride and striking lyrical facility.
Were I a professor of rock and roll music and one to grade albums, this record would stand as the finest record I've heard in my 50+ years of listening to this stuff. It's not my emotional favorite album (that being The Wild, The Innocent and the E Street Shuffle) but it's a record I listen to often, still. Each song stands on its merits and the lyrics are just brilliant; Lou was the smartest man who ever played rock and roll. It's not an easy listening album; like most of Lou's records there are some cuts that are painful to listen to, but some of the rock cuts are ear worms, most notably Dirty Boulevard which replaced Sweet Jane as Lou's signature live song. This album is like reading a really good book; the trip is a great one, and when it is done, you'll be thinking about it for a very long time.
Nearly 30 years after it came out, Lou Reed's solo debut suggests that neither Reed nor his new record company were quite sure about what to do with him in 1972. It would be years before the cult of the Velvet Underground became big enough to mean anything commercially, leaving Lou pretty much back where he started from in the public eye after five years of hard work, and he seemed to be searching for a different musical direction on this set without quite deciding what it would be; while the best tunes are admirably lean, no-frills rock & roll, there are also several featuring tricked-up arrangements that don't suit the material terribly well (at no other time in history would anyone believe that Steve Howe and Rick Wakeman would be a good choice as backing musicians for the guy who wrote "Sister Ray").
Cardboard sleeve (mini LP) reissue from Lou Reed. Part of a 9-album Cardboard sleeve (mini LP) Lou Reed reissue campaign featuring the albums "Lou Reed," "Transformer," "Berlin," "Rock and Roll Animal," "Sally Can't Dance," "Lou Reed Live," "Metal Machine Music," Coney Island Baby," and "Rock adn Roll Heart." Lou Reed's solo debut suggests that neither Reed nor his new record company were quite sure about what to do with him in 1972. It would be years before the cult of the Velvet Underground became big enough to mean anything commercially, leaving Lou pretty much back where he started from in the public eye after five years of hard work, and he seemed to be searching for a different musical direction on this set without quite deciding what it would be.
Lou Reed and Kris Kristofferson The Bottom Line Archive Series: In Their Own Words: With Vin Scelsa - A new album captures a rare collaborative performance by Lou Reed and Kris Kristofferson. The artists met up at the New York club the Bottom Line in February 1994 and discussed songwriting and their histories with radio host Vin Scelsa.