Love At First Sting Fidelity

Love at First Sting is the ninth studio album by the German rock band Scorpions. It was released on March 27, 1984 on Harvest/EMI and Mercury. It became the group's most successful album in the USA, where it peaked at number 6 on the Billboard 200 chart in 1984, and went double-platinum by the end of the year, reaching triple-platinum status in 1995. The song "Rock You Like a Hurricane" reached number 25 on the Billboard Hot 100 chart in the same year, "Still Loving You" reached number 64 on the same chart, number 14 in Germany, number 3 in the French and Swiss Top 50.

Virgin Killer (1976). Virgin Killer is the first of four studio releases that really defined the Scorpions and their highly influential urgent metallic sound. It was released in 1976 and was the first album of the band to attract attention outside Europe. The album was a step in the band's shift from psychedelic music to hard rock. For the first time in the band's career the line-up stayed the same with Klaus Meine on vocals, Uli Jon Roth on lead guitar, Rudolf Schenker on rhythm guitar, Francis Buchholz on bass, and Rudy Lenners on drums. The nine tracks were laid down with Dieter Dierks producing. The band is in top form and churns out some melodic yet blistering heavy rock. Virgin Killer is full of heavy songs and exceptionally, fast, innovative guitar leads by Uli Jon Roth. These songs are infectious and Uli's guitar solo on the Jimi Hendrix inspired "Polar Nights" exhibits the thunder-heavy riffs and grooves that make it a classic…

The Scorpions' two previous releases, Blackout and Love at First Sting, were mostly successful due to the band's ability to adjust with the times; with Blackout, they used the classic power rock introduced by bands like Van Halen, and for Sting they used similar melodies, but with a harder, tighter sound akin to the work of such bands as Dokken and REO Speedwagon. With Savage Amusement, the group's first studio recording in almost four years, the Scorpions experimented with more polished pop melodies that Def Leppard and the like had made popular. The end result is polished and often predictable music that, while good, on the whole fails to be as infectious as the music on their previous albums. Die-hard fans will certainly find their share of worthwhile songs, such as "Don't Stop at the Top" and "Believe in Love," but they still may find Savage Amusement to be incomparable to its predecessors.

Phil Collins - Face Value (1981). Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop. He'd been wrestling with the idea of doing a solo record for years, finding great inspiration in the pain caused by an impending divorce and craving artistic independence after years of collaboration. Many of the songs ended up on Genesis' 1980 album Duke - and "Against All Odds" was pocketed for later use - but he kept enough to make an album that stands as a classic moment of '80s pop/rock. Collins produced the album himself and played keyboards and drums, calling in friends and the Earth, Wind & Fire horns to fill out the songs…

Daniel Zamir is a saxophonist, vocalist composer, and bandleader. Though he often plays alto, the soprano horn is considered his primary instrument. His blend of modern jazz draws as much from klezmer, liturgical, and Hasidic traditional music, the rhythms of India and West Africa, as it does from jazz.