Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who", and the enchanting "She Comes in Colors", perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation", is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status.
Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who," and the enchanting "She Comes in Colors," perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation," is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status.
The contents are culled from highlights off of the double-LP Out Here (1969) and follow-up False Start (1970) - the last projects to feature the second lineup with mainstay Lee (rhythm guitar/lead vocals/piano) backed by Frank Fayad (bass) and George Suranovich (drums) with Jay Donnellan (lead guitar), followed by Gary Rowles (lead guitar). There are several numbers with the combo laying down a heavy "mod" blues and boogie. Namely, the False Start tracks "Stand Out" and "The Everlasting First." The former being a one-off live cut and the latter centering on the presence and contributions of Jimi Hendrix (guitar). The compact and quirky "I Still Wonder," "Nice to Be," and "You Are Something" are evocations of Lee's singular songwriting skills and hearken back to Love's formative sound…
The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.