Love And Prozac

The Brian Jonestown Massacre - Tepid Peppermint Wonderland: A Retrospective (2004) {2CD Tee Pee Records TPE-059}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 952 Mb | MP3 @320 -> 337 Mb
Full Artwork @ 300 dpi (png) -> 76 Mb | 5% repair rar
© 2004 Tee Pee Records | TPE-059
Rock / Alternative / Indie / Neopsychedelic

Over the years, Anton Newcombe and the Brian Jonestown Massacre have gotten more promotional mileage out of their self-sabotage than they have ink spilled on their shambolic musical blend of the Stones, Velvets, and Summer of Love-derived transcendence. Megalomania, drug abuse, internal strife, aborted tours, and frustrated fans – it's a checklist for band destruction. And yet the Brian Jonestown Massacre endure. They got a boost outside of their sizable niche in 2003 with the release of a documentary that traced both their contentious relationship with the Dandy Warhols and Newcombe's mercurial antics/genius.

Blending the literate and expressive lyrical style of a classic singer/songwriter with music rooted in indie rock, Joseph Arthur is a well-respected songwriter and performer whose work has impressed critics as well as artists such as Peter Gabriel and Michael Stipe. Arthur's original goal was to become a hotshot bass player, but exposure to Bob Dylan and Kurt Cobain prompted him to take up songwriting, and in 1996, he self-released an EP that made its way to Peter Gabriel, who signed Arthur to his Real World label. 1997's challenging Big City Secrets and 2000's rootsy Come to Where I'm From impressed critics and discriminating listeners, and 2004's Our Shadows Will Remain found him digging even deeper into his confessional tales. With 2007's Let's Just Be, Arthur launched his own record label, Lonely Astronaut, giving him greater control over his music as he recorded idiosyncratic projects such as 2013's The Ballad of Boogie Christ and 2014's Lou (the latter a collection of Lou Reed covers).

Johnny Marr and Bernard Sumner have a unique musical companionship. Both artists bred the '80s British music scene into pop candy delight thanks to Marr's charming guitar hooks while fronting the Smiths, and Sumner, whose ingenuous lyrical poetry pushed New Order's dance-oriented sound into the new wave mainstream. But since their musical collaboration began back in 1991, the duo continues to make music for themselves, uninhibited by current norms and marketing success. Twisted Tenderness, the band's third album, is certainly a vast improvement over their sophomore effort, 1996's Raise the Pressure. Twisted Tenderness steps back into Marr's talented guitar work: carefree, a bit rollicking at times, but in classic Electronic fashion. The obvious rock-laden riffs carry the typical synth-generated backdrops, and Sumner's cheeky lyrics are stylish and breezy.