Lovely Wars

Originally released alongside the movie in 2005, the Episode III: Revenge of the Sith soundtrack features a score by five-time Oscar winner John Williams, who is also the composer and conductor of the score for each film in the 9 – chapter Star Wars saga.

With her sleek bob haircut (usually with a flower placed just so), vintage fashion sense, strikingly beautiful looks and artfully customized ukulele, Janet Klein might seem at first to be a simple novelty act, a 21st-century hipster "ironically" recreating the subtly naughty looks of a fin-de-siecle French postcard. Then she opens her mouth to sing. There's no Betty Boop hiccups or Mae West-style brassiness in her charmingly original voice. And when she starts to play her ukulele, it's clear that this oft-ridiculed cousin of the guitar is neither prop nor gimmick, but a delightful and under-utilized musical instrument. Bearing an ever-expanding repertoire of, as she puts it, "obscure, lovely and naughty songs from the 1910's , 20's and 30's," Janet Klein is a musical archeologist hiding in the body of an F. Scott Fitzgerald heroine.

Enjoy this Compilation with the most successful 100 Hit Tracks The Ultimate Collection 80s singers like a-ha, Duran Duran, Rick Astley and many more!

Critically acclaimed Chicago band initially connected to the No Depression neo-country scene, later emerging as an experimental-pop powerhouse. Collection includes: 'A.M.' (1995); 'Being There' (1996); 'Mermaid Avenue, Vol. 1' (with Billy Bragg) (1998); 'Summerteeth' (1999); 'Mermaid Avenue, Vol. 2' (with Billy Bragg) (2000); 'Yankee Hotel Foxtrot' (2002); 'A Ghost Is Born' (2004); 'Kicking Television: Live in Chicago' (2005); 'Sky Blue Sky' (2007); 'Wilco' (2009); 'The Whole Love' (2011).

With her sleek bob haircut (usually with a flower placed just so), vintage fashion sense, strikingly beautiful looks and artfully customized ukulele, Janet Klein might seem at first to be a simple novelty act, a 21st-century hipster "ironically" recreating the subtly naughty looks of a fin-de-siecle French postcard. Then she opens her mouth to sing. There's no Betty Boop hiccups or Mae West-style brassiness in her charmingly original voice. And when she starts to play her ukulele, it's clear that this oft-ridiculed cousin of the guitar is neither prop nor gimmick, but a delightful and under-utilized musical instrument. Bearing an ever-expanding repertoire of, as she puts it, "obscure, lovely and naughty songs from the 1910's , 20's and 30's," Janet Klein is a musical archeologist hiding in the body of an F. Scott Fitzgerald heroine.