Tampa Red's influential later recordings for RCA Victor (1945-53) have never been officially reissued on CD and rarely on LP, yet are a crucial element in the post-war blues canon. Many of his songs were covered by B. B. King, Muddy Waters and other top bluesmen. They feature the majestic piano of latter-day Elmore James sideman, Johnny Jones and include the harmonica of Big Walter 'Shakey' Horton and Sonny Boy Williamson II. There are four previously unissued tracks but none are available on authorised CD, not even on OOC releases.
Amazingly, many of the recordings guitarist Tampa Red made for RCA Victor and Bluebird in the '40s and early '50s never saw reissue until this 2015 double-disc by Ace. As John Broven points out in his rightly evangelical liner notes for Dynamite! The Unsung King of the Blues, CD-era reissues of Tampa Red usually began at the beginning, which for the guitarist meant 1934, and petered out by the late '40s, which is when Tampa Red eased away from hokum and into earthy guitar-and-piano blues that had substantial influence on the electric blues of the '50s. On Dynamite! The Unsung King of the Blues, the interaction between Tampa Red and his pianists Big Maceo Merriweather and, later, Maceo's protégé Little Johnnie Jones certainly points the way to the classic sound of Chicago blues - particularly when it's paired with a big, swinging drumbeat - and the bluesman's repertoire was also cherry-picked by B.B. King…
50 - Just Warming Up! Is the new album from American blues legend and multi-instrumentalist Lucky Peterson - one of the most riveting performers of the modern blues era. A searing lead guitarist, a rich and powerful organist, and a first-rate vocalist, Lucky's musicianship effortlessly translates gospel, rock, and jazz into a 21st century blues. Many reminisce about the bygone days of the blues, but it's flame still burns hot here in the hands of Lucky Peterson!
50 - Just Warming Up! Is the new album from American blues legend and multi-instrumentalist Lucky Peterson - one of the most riveting performers of the modern blues era. A searing lead guitarist, a rich and powerful organist, and a first-rate vocalist, Lucky's musicianship effortlessly translates gospel, rock, and jazz into a 21st century blues. Many reminisce about the bygone days of the blues, but it's flame still burns hot here in the hands of Lucky Peterson!
Here Lucky goes to Memphis. Several years into a solo career, the former blues whiz kid plays good keyboards and guitar, and sings stirringly on originals and covers from all over the black music map (Stevie Wonder, Jimi Hendrix, Les McCann & Eddie Harris, blues piano master Roosevelt Sykes, etc.) His modern soul-cum-blues is hot, sweaty, and aggressive, and he gets the job done in busy arrangements shared with the Memphis Horns, honey-throated back-up singers, and muscular hired guns like bassist Willie Weeks and drummer Crusher Green. Peterson had the good sense to collaborate with New Yorker Jim Payne when writing five songs for the album, including the killer slow blues instrumental that doubles as the album title.
Lucky Peterson got his grounding in the blues from his father's friends, and since his father was blues guitarist and singer James Peterson, who also owned the Governor's Inn, a premier blues nightclub in Buffalo, New York, those friends included folks like Jimmy Reed, Muddy Waters, and Bill Doggett. Peterson had a career as a child prodigy on the Hammond B-3, even scoring an R&B hit with the Willie Dixon-produced "1-2-3-4," the novelty of it all landing him appearances on The Tonight Show, The Ed Sullivan Show, and others, and his debut album appeared in 1969. But it was the blues that claimed Peterson as an adult, by which time he was not only an accomplished piano and organ player, but also a quite competent vocalist and an impressive guitarist with a soaring and emotionally searing style on the instrument. This set finds him placed in a retro Chicago blues setting, with horns added in where appropriate, and Peterson is quite at home here, bringing an exuberant sincerity to the opener, "Proud to Love My Baby," and delivering the title tune, "Traveling Man," with passion and urgency, while bringing a funky groove to "Get on Down," which spotlights his piano playing.
"Paris Blues" features a 1957 meeting between saxophonist Lucky Thompson and the king of barrelhouse, Sammy Price. The two are backed by an excellent French band featuring guitar, double bass and traps. Hailing from the glorious era, this music is a remarkable expression of the bliss that can happen when Jazz and Blues become one. The album kicks off with, 'I Want A Little Girl.' It's one of a handful of songs with Sammy Price on vocals. His Blues singing is fantastic! Afterwards, the title track begins with a boogie-woogie piano solo. Before long, the band jumps on and joins Price. In this piece and through the album, Jean-Pierre Sasson's electric guitar work is superb. 'Up Above My Head' is a lively tune with Price's jovial vocals…
Lucky Peterson live in full effect on CD and DVD at last summer's Marciac festival in France, featuring Joe Satriani as special guest on the final track. Born in Buffalo close to New York, Lucky Peterson - a singer, guitarist and organist - is one of the most authentic agents of blues music; he s familiar with its oral tradition and history and can also play and sing it like no other. Mixing his own compositions and inspired covers (of tracks by Stevie Ray Vaughan, Wilson Pickett and even Johnny Nash), he has decided to treat our eyes and ears to a live recording on which he blends blues music and an unstoppable sense of groove.
As one of the most versatile players in blues, Lucky Peterson ranks among the best of the best. His first release for the Blue Thumb label, Double Dealin' showcases the artist on 12 great songs soaked in the sentiments and emotions that characterize the blues style. Peterson plays the lead guitar, the Hammond B3, and sings his gut-wrenching blue notes with a great band that includes Johnny Lee Schell on rhythm guitar, Jon Cleary on keyboards, Reggie McBride on bass guitar, Tony Braunagel on drums and Tamara Peterson on background vocals. The Texacali Horns back the personnel with exceptional clarity using a serious combination of brass techniques. Peterson's use of an emotionally direct style is also rapidly establishing him as a great storyteller.