This volume of the Classics Chronological series places Billie Holiday's music in historical context to an unusual degree, as her recordings for the Columbia and Commodore labels have until now been reissued separately because of copyright and catalog ownership. The songs parceled together here were recorded at a crossroads in Holiday's career. The setting for the first - in what would constitute great changes in her life and music - was Barney Josephson's Café Society Downtown. Located at 2 Sheridan Square, this was Manhattan's first fully integrated nightclub. Its clientele included a number of politically progressive intellectuals and social activists. When she first appeared at the club on December 30, 1938, Billie Holiday was known as a spunky vocalist who presented lively renditions of pop and jazz standards in what was considered an unusual yet accessible style…
Recorded at Hamburg Grosse Freiheit, 23 June 1992.
Born April 25, 1958, in Edinburgh, Scotland, Derek William Dick (aka Fish) was the dramatic lead vocalist for prog rock band Marillion until beginning a solo career in 1988. Marillion was initially formed as an instrumental band in 1979 by guitarist Steve Rothery (b. November 25, 1959; Brampton, England), drummer Mick Pointer, bassist Doug Irvine, and keyboard player Brian Jelliman. Irvine began singing in 1980 on the group's first demos, but a year later Marillion invited Fish to join as vocalist, and he assumed the frontman position beginning with their 1983 debut album, Script for a Jester's Tear…
Released in 1982, Middle Class White Boy was Mose Allison's first recording in six years, and his debut for the fledgling and relatively short-lived Elektra Musician label run by Bruce Lundvall. Allison is featured here in a sextet setting. His fellow front-line players are saxophonist Joe Farrell and guitarist Phil Upchurch. The set is a well-blended collection of originals and covers including Muddy Waters' "Rollin' Stone," and Duke Ellington's "Just a Lucky So and So." As is his trademark, Allison effortlessly blends jazz, backwoods blues, and Southern hipster jive in a heady brew of fantastic musicianship. His work on electric and acoustic piano here is as startling as ever and his songwriting is canny, wildly swinging, funny, and biting.
The archive contains of 3179 tracks from 1899 until 1956 on 168 CDs and 2 books with 180 pages of artist biographies each. High-End mastered at 24-bit and 96 kHz.
The Archive is split into 42 Sets x 4xCD. Each CD is untitled and dedicated to one musician, who mostly appears in different collaborations.
The archive contains of 3179 tracks from 1899 until 1956 on 168 CDs and 2 books with 180 pages of artist biographies each. High-End mastered at 24-bit and 96 kHz.
The Archive is split into 42 Sets x 4xCD. Each CD is untitled and dedicated to one musician, who mostly appears in different collaborations.
30 Verve Collectors Edition album for sale was released Apr 26, 2011 on the Universal Import label. Import-only 30 CD box set containing some of the finest Jazz albums released on the legendary Verve label. 30 Verve Collectors Edition buy CD music Features hit albums from Jazz icons like Antonio Carlos Jobim, Ben Webster, Bill Evans, Ella Fitzgerald, Charlie Haden, Bud Powell, Herbie Hancock, John McLaughlin, Lester Young, Stan Getz, Oscar Peterson and many others. 30 Verve Collectors Edition songs Each CD comes housed in a miniature LP sleeve and all 30 discs are housed in an attractive lift-top box. Universal. 30 Verve Collectors Edition CD music contains a single disc.
Possibly the most influential artist of all time, Wonder has sold over 100 million albums and continues to produce music today.
This release will take you back to the Motown days and bring you up to the present, through the best live performance footage and the most knowledgeable of critics. Including: Interview with Lloyd Bradley, journalist and author; one of the most prominent and respected authorities from the black music scene. Bradley began contributing to NME in the 80's and has written for countless other since. Interviews with Geoff Brown and Phil Sutcliffe, veteran journalists with a combined portfolio including MOJO, Black Music Magazine, The Face, Q and Smash Hits.