This Deutsche Grammophon issue seems to be at first glance a 20th century violin concerto/concertante CD. It really is an artist CD celebrating the talented violinist Anne-Sophie Mutter. It has Paul Sacher conducting the Stravinsky concerto and Witold Lutoslawski conducting his own music. Actually between the three of them I don't think you could get stronger performances of this music on CD.
“This is not at all what I wrote, but play it like this. Do play it this way!” exclaimed Dmitri Shostakovich after Yudina performed the freshly written 24 Preludes and Fugues. This exclamation contains the key to understanding of Maria Yudina’s performing art – a controversial and disputable one that left a profound imprint on the cultural environment of the twentieth century. The 10-album set is the biggest part of Maria Yudina’s surviving studio and concert recordings from the Melodiya archive made between 1948 and 1969.
The box comprises all (live) recordings made by Martha Argerich at the Lugano Festival, from 2002 to the last edition in 2016, and released by EMI Classics and Warner Classics. An impressive collection of 22CDs without equivalent. It includes a variety of genres: some solo piano music, lots of music for piano duo and among them many arrangements, chamber works and concertos.
This album marks the second release by Polish-born violinist Joanna Kurkowicz to be devoted to the concertos of Grazyna Bacewicz, a violinist/composer who survived World War II and Stalinism with her artistic vision intact. Not only that, she adapted the violin concerto, not a form in great favor in the 20th century, to waves of successive influences. As Eastern Europe emerges as the crucible where musicians tried to build a durable culture out of the 20th century's various musical and political "isms," Bacewicz's music is well worth keeping an eye on.
The 11 20th-century violin works included on Anne-Sophie Mutter's meaty four-CD compilation were recorded between February 1988 and January 1997. Mutter is a dazzling performer. Her performance of the Sibelius Violin Concerto throbs with new-dawn optimism. Her intense dialogue with pianist Lambert Orkis is spiked with wit in Bartók's Violin Sonata No.2 , the only chamber piece in the set.