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"Several times, as I listened to M. Ward's Supernatural Thing, I asked myself what year it was. Was it 1952, and was I listening to a track from the Harry Smith Anthology? Was it 1972, and was I eavesdropping on the recording session for After the Gold Rush?No, it's 2023, and M. Ward is one of the special contemporary artists who invite such questions. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends.

A collection of hits from various projects of the famous German producer Frank Farian, who were at different times in the Dutch TOP40, was released by the local branch of Sony Music Entertainment Netherlands B.V. The double album features artists such as Boney M., Gilla, Eruption, Milli Vanilli, La Bounce, No Mercy, Precious Wilson and Far Corporation.

R.E.M. abandoned the enigmatic post-punk experiments of Murmur for their second album, Reckoning, returning to their garage pop origins instead. Opening with the ringing "Harborcoat," Reckoning runs through a set of ten jangle pop songs that are different not only in sound but in style from the debut. Where Murmur was enigmatic in its sound, Reckoning is clear, which doesn't necessarily mean that the songs themselves are straightforward. Michael Stipe continues to sing powerful melodies without enunciating, but the band has a propulsive kick that makes the music vital and alive. And, if anything, the songwriting is more direct and memorable than before - the interweaving melodies of "Pretty Persuasion" and the country rocker "(Don't Go Back To) Rockville" are as affecting as the melancholic dirges of "Camera" and "Time After Time"…

At The Mercy Of Manannán" is the third album from Irish progressive rock group, M-Opus, and their finest, most incisive yet. As with all their albums, this hypothetically 'comes from' a year in rock history, 1972, with the sound and production that implies. From lush, symphonic rock, to blazing, virtuosic instrumentals and lavish melodic tracks, the album aims to be nothing less than a 'new classic'. Composed by Film/TV composer Jonathan Casey (David Cross Band) and a new member of the band, guitar virtuoso PJ O'Connell.