It has the same name as the Crüe’s 1998 compilation, along with 13 of the same tracks, but the 2009 Greatest Hits is a different beast than its predecessor, weighing in at 19 tracks instead of 17 and sequenced chronologically instead of the year-skipping hodgepodge of 1998. These are all improvements, as are the swapping of a 1997 version of “Shout at the Devil” for the original and the addition of the 1983 song “Too Young to Fall in Love,” all helping to make this edition of the Crüe’s much-recycled Greatest Hits their best comp yet.
It has the same name as the Crüe’s 1998 compilation, along with 13 of the same tracks, but the 2009 Greatest Hits is a different beast than its predecessor, weighing in at 19 tracks instead of 17 and sequenced chronologically instead of the year-skipping hodgepodge of 1998. These are all improvements, as are the swapping of a 1997 version of “Shout at the Devil” for the original and the addition of the 1983 song “Too Young to Fall in Love,” all helping to make this edition of the Crüe’s much-recycled Greatest Hits their best comp yet.
Supersonic and Demonic Relics is mostly the same sort of material the Crüe included as bonus tracks on their 1999 catalog reissues: live performances, rarities, outtakes, alternate versions, and previously unreleased songs; plus an extended Skinny Puppy remix of "Hooligan's Holiday," and the two songs recorded specifically for Decade of Decadence…
Volume two of Hip-O's Mötley Crüe retrospective, Music to Crash Your Car To, is decidedly less impressive than its predecessor. That's not to say that the poster, essay-augmented booklet, demos, alternate mixes, unreleased track, and comic book aren't reasons enough for the average fan to run to the store…
The band credited with spawning the "sleaze rock" lip-gloss and hairspray style that emerged from the Hollywood Strip (Los Angeles, California) at the dawn of the 80s and came to dominate rock in that decade. The most famous of those that followed included Poison and Guns n' Roses…