This limited edition CD box set collates the six subsequent albums originally released on Geffen Records and Atlantic Records (‘The Wanderer’, ‘Donna Summer’, ‘Cats Without Claws’, ‘All Systems Go’, ‘Another Place And Time’ and ‘Mistaken Identity’), as well as the ‘initially shelved’ 1981 album (‘I’m A Rainbow’) that was first released in its entirety in 1996. Also included within the box are six individual postcards, produced from Family approved photographs from Donna Summer’s archives, stylised to compliment the CD outer box.
Fred Katz (born February 25, 1919) is an American composer, songwriter, conductor, cellist, pianist, and professor. In jazz, a principal contribution of Katz has been, as Leonard Feather noted, “to put the cello to full use both in arco and pizzicato solos.” Oscar Pettiford had already indicated the considerable jazz potential of plucked (pizzicato) cello, but with Oscar, the instrument remained secondary to his primary instrument, the bass. Katz was the first musician to utilize all of the cello in jazz as his chief instrument in that idiom.
Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history – as he would later illustrate with his series of historical albums – that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles…
Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser whose knowledge of chords and harmonies was encyclopedic, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor…
The title of this boxed set is quite misleading, because Hawkins was a member of Fletcher Henderson's Orchestra for ten years from 1924, and recorded extensively with that outfit. At a conservative estimate, there are some 80 recordings which should have qualified for inclusion, yet not one appears (although his recordings with Fletcher's brother Horace do). Ignoring for a moment the disparity between the title of this boxed set and its contents, let me now praise what is included. ~ Amazon