For Robert Altman's Kansas City film, since the story was centered in 1934 Kansas City, Altman wanted to have younger musicians depict top jazz artists of the era playing at one of the legendary jam sessions. He recruited many of today's top modernists and, although they used arrangements based on older recordings, they did not have to necessarily improvise in the style of the time. Actually, it is surprising how close the musicians often come, recapturing not just the music of the period but the adventurous spirit of such immortals as Coleman Hawkins, Ben Webster, and Lester Young. A dozen songs from the film are on this very enjoyable and unique CD, which features such players as trumpeter Nicholas Payton, clarinetist Don Byron, guitarists Russell Malone and Mark Whitfield, pianists Geri Allen and Cyrus Chestnut, altoists Jesse Davis and David "Fathead" Newman, and four of today's great tenors: James Carter, Craig Handy, David Murray, and Joshua Redman. In addition, Kevin Mahogany sings "I Left My Baby." Although there are some audience shouts on a couple of the pieces, this is one soundtrack album that very much stands up on its own.
Under baroque-pioneer conductor Alan Curtis, the sorceress Alcina bewitches as never before for Handel year 2009
Alan Curtis, lauded by Opera as “one of our finest conductors of Baroque opera,” illumines Handel’s masterpiece, Alcina, by casting, as heroine, the brilliant Joyce DiDonato
Since Alcina is historically dared by virtuosic sopranos like Sutherland and Battle, this innovative recording with a mezzo is a must-have not just for Alcina freaks but all who adore sensational vocalism
As Handel did in his time, Curtis arrays our era’s finest Baroque singers – such as Maite Beaumont and Karina Gauvin – in supporting roles around his star
With this electrifying Alcina, first ever studio recording of the rarely heard Ezio and Rolando Villazón’s new album, Handel Year 2009 is being exceptionally well feted by Deutsche Grammophon.