Mash (1970)

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.

The personnel at the 4077 MASH unit deal with the horrors of the Korean War and the stresses faced in surgery by whatever means. The tone at the MASH is established by recent arrivals, surgeons Captains 'Hawkeye' Pierce, 'Duke' Forrest, and 'Trapper' John McIntyre - the latter who Hawkeye knows he's met somewhere, but Trapper who won't divulge where - whose antics can be best described as non-regulation, and in the negative words of one of their fellow MASH-ers: unmilitary. The unit's commanding officer, Colonel Henry Blake, doesn't care about this behavior as long as it doesn't affect him, and as long as they do their job and do it well, which they do. Their behavior does extremely bother fellow surgeon, Major Frank Burns, and recently arrived head nurse, Major Margaret Houlihan, who obtains the nickname 'Hot Lips' based on information they glean about her through underhanded means. Beyond their battles with Frank and Hot Lips, Hawkeye, Duke and/or Trapper help unit dentist Painless …

The werewolf Waldemar Daninsky calls on the gradson of Dr Jekyll, hoping that the scientist will be able to find a cure for his lycanthropy. But Jekyll has already picked up on his grandfather's experiments and the sdadistic Mr Hyde is soon facing down Daninsky's lupine alter ego in the streets of London.

Project Questor is brainchild of the genius Dr. Vaslovik: he developed plans to build an android super-human. Although he's disappeared and half of his programming tape was erased in the attempt to decode it, his former colleagues continue the project and finally succeed. But Vaslovik seems to have installed a secret program in Questor's brain: He flees and starts to search for Vaslovik. Since half of his knowledge is missing, he needs the help of Jerry Robinson, who's now under suspect of having stolen the android.

How to describe Nobuhiko Obayashi’s indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home and comes face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via mattes, animation, and collage effects. Equally absurd and nightmarish, House might have been beamed to Earth from some other planet. Never before available on home video in the United States, it’s one of the most exciting cult discoveries in years.