Masterm Feat. Sean Kingston Killin' ME Softly

As Time Goes By: The Very Best of Little Feat is an extraordinary collection that contains almost every essential Little Feat song from their '70s heyday with Lowell George, plus the two hits ("Let It Roll," "Hate to Lose Your Lovin'") from their late-'80s comeback. Most of the band's albums are worth hearing, but this is a great introduction for the curious and – since it features "Dixie Chicken," "Willin'," "Two Trains," "Fat Man in the Bathtub," "Sailin' Shoes," "Oh Atlanta" and "All That You Dream" in one place – it's a great summation of the group's achievements, and George's songwriting talent in particular. Unfortunately, As Time Goes By has only been released by the British division of Warner Bros, but it's worth tracking down.

Sean Shibe returns to the classical guitar on Profesión, bringing together works by Agustín Barrios, Heitor Villa-Lobos and Alberto Ginastera. The album derives its name from Barrios’s “Profesión de Fe” (profession of faith), a poem which he often used as a preface to his concerts. The poem references indigenous mythological deities, and praises the power of the guitar as the ultimate conduit to the secrets of the divine South-American destiny.

Dot Time Records is thrilled to announce the August 23, 2024 release of My Ideal, a breathtaking new album from acclaimed GRAMMY®-nominated vocalist Catherine Russell and prodigious pianist Sean Mason. This modern classic marks a significant milestone in both artists' careers, capturing a powerful and intimate musical dialogue. My Ideal is a very special project even in the very rarified strata where Catherine works; this is not only her first complete set of voice-and-piano duets, but her partner on this project is a remarkable piano prodigy whose technical skill is only rivaled by his soulfulness.

You Me At Six return with their 8th album, Truth Decay - a celebration of everything that has made You Me At Six who they are, a living document of the genre, the music they love, and their own career to date. Recorded in Santorini and continuing You Me At Six's now long term creative partnership with producer Dan Austin (Biffy Clyro, Massive Attack, Pixies), Truth Decay sees the band return to their roots, and cement themselves as masters of their genre.

Sean Shibe returns to the acoustic guitar on Profesion, bringing together works by Agustin Barrios, Heitor Villa-Lobos and Alberto Ginastera. The album derives its name from Barrios's "Profesion de fe" (profession of faith), a poetic, mythological text praising the divine power of music, often used as a preface to his concerts. Barrios's La Catedral and Julia Florida are combined with Villa Lobos's 12 Etudes, while Ginastera's Guitar Sonata completes the programme. These works by Southern American composers share a spirit of homage and pastiche, bound together by magical realism.

Barely half a century ago, the guitar was such a rarity in the concert hall that even an outstanding player like Julian Bream was remarkable as a pioneer as much as for his exceptional technique and musicality. Today, by contrast, the field is richly populated – thanks not only to Bream’s own inspiring example to younger players but also to the vastly increased repertoire, so much of which he also instigated.

Trailblazing UK jazz renegade, saxophonist Sean Khan delivers his scintillating new album ‘Supreme Love: a Journey Through Coltrane’ on BBE Music.

The Dangerous Age is a collaborative studio album by Australian recording artists Kate Ceberano, Steve Kilbey and Sean Sennett, released on 31 January 2020. Ceberano recorded the album with her co-producer Rod Bustos in Melbourne. Kilbey and Sennett added their parts in Sydney and Brisbane. The album was mixed by Jason Millhouse in Brisbane. In a statement, Sean Sennett said "working with Kate and Steve has been a thrill. Ceberano and Kilbey were big figures in the culture when I was growing up… To have sat with Kate in her studio jamming while we were writing 'Not the Loving Kind', or to be hitting lyric lines back and forth with Steve during the writing of 'Monument City Lights, 1973' was a fantastic experience for me". The cover portrait for The Dangerous Age was shot by Justine Walpole who is best known for her work with Prince.