Winter

On Friday, August 5, 2022, Chickasaw composer and U.S. Cultural Ambassador Jerod Impichchaachaaha' Tate will release a new album, Winter Moons, on Azica Records. Winter Moons is a ballet in four movements based upon American Indian legends from the Northern Plains and Rocky Mountains, performed with a live storyteller to guide the audience. The title of the ballet is derived from the ancient idea that American Indian stories - some serious historical narratives, and others lighthearted bedtime stories for children, but all usually carrying a moral - are best told during the full moons of the wintertime. Winter Moons was Tate's very first composition, commissioned by and dedicated to his mother, choreographer Dr. Patricia Tate. Spirit Chief Names the Animal People was part of the original version of Winter Moons and is now performed as a separate work with narrator.

Although it could be argued that, for the most part, Johnny Winter has gotten better and better as a guitarist over the years, his career has had its ups and downs for personal and professional reasons. Especially after involving himself in the latter stages of Muddy Waters' career and helping the veteran bluesman achieve a comeback with 1977's Hard Again, Winter made superior music of his own on the blues-oriented Nothin' But the Blues and White, Hot & Blue. But those albums didn't sell as well as some of his earlier rock-oriented ones, and after his 1980 album Raisin' Cain moved back toward rock, but didn't even make the charts, he left his major label and spent a few years without a record company. Signing to the Chicago-based independent blues label Alligator Records, he staged his own comeback with 1984's Guitar Slinger, and its follow-up, Serious Business, is in the same vein…

The rockin’ blues guitar legend Johnny Winter is showcased in a parade of relentless hot licks and menacing growls on this Alligator compilation. The material here was culled from three of Winter’s strongest Alligator albums-1984’s Third Degree, 1985’s Guitar Slinger and 1986’s Serious Business. It includes two previously unissued tracks in the Smiley Lewis flavored "Georgianna," which features Dr. John tickling the ivories, and the Delta-flavored "Nothing but the Devil," featuring James Cotton on harmonica.

Entrance (1970). Edgar Winter came out of the chute kicking with this remarkable record filled with jazz, blues, and a little old-fashioned rock & roll. The record follows an established theme throughout its first side, stringing the songs together without breaks, highlighted by dreamy keyboard and sax work, plus Winter's smooth vocalizations. But jazz isn't the only thing Winter brings to the party. His first recorded version of the old J.D. Loudermilk tune "Tobacco Road" throws a few nice punches (although the live version with White Trash a few years later would prove the definitive one). "Jimmy's Gospel" plays on his early church influences, while "Jump Right Out" is the predecessor of half-a-dozen "jump up and dance" numbers Winter would pepper his records with in the years to come…

Stepping into the role of a whirlwind albino electric blues guitar player from Texas with a brilliant slide style and a roaring voice was the very role Johnny Winter was born to fill. He released nearly 30 albums of blues and blues-rock in his 40-plus-year career, and delivered countless memorable concerts as well. His death in the summer of 2014 at the age of 70 left an unfillable void in the international blues community. Step Back is his final studio album, and it follows his 2011 release Roots in paying tribute to his various blues influences, and, like Roots, it is essentially a series of duets with all-star guests, with Eric Clapton, Ben Harper, Billy Gibbons, Joe Perry, Dr. John, Leslie West, Brian Setzer, and Joe Bonnamassa helping out this time around…

Johnny Winter assembled Live in NYC '97 with assistance of his fan club, drawing all of the recordings from an April 1997 performance at the Bottom Line. Produced by Winter's longtime colleague Dick Shurman, the record doesn't follow the predictable pattern of a live album - instead of hits, it offers fan favorites and covers, which makes for a much more interesting listen. Throughout the album, Winter simply rips, tearing through all five songs with blistering energy. This is the live album hardcore fans have been wanting for years, and it doesn't fail to deliver on its promise.